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Showing posts with label Jasper Sharp. Show all posts
Showing posts with label Jasper Sharp. Show all posts

March 30, 2014

Movie Review: Nurse Girl Dorm: Sticky Fingers (DVD,1985, Nikkatsu)

Review By: Rob Sibley

Ah, Nikkatsu.... you can never really go wrong with anything from this company can you? A Japanese company that specialized in producing erotic films shot on 35MM. Every-time I review a Nikkatsu film I'm never sure on what I'm going to get. It's like the prize at the bottom of a cracker jack box.

"Nurse Girl Dorm: Sticky Fingers" despite the lurid title is maybe the most tame film from Nikkatsu. Now that's not a bad thing, in fact now and then Nikkatsu is a bit much for me. But this film is a straight up sex-comedy. You could easily replace the Asian cast with an American cast and you'd feel like your watching Porky's. My guess is American sex comedy's were big in Japan in the 80's and Nikkatsu wanted part of that. So we get Nurse Girl Dorm.

September 11, 2013

Movie Review: She Cat (1983, DVD)

Review By: Rob Sibley

She Cat aka Meneko is my second fore into the world of Nikkatsu roman pornos. The first was Fairy In ACage, which I wasn't the biggest fan of. Sure that film was heavy on the political subtext but just featured way too much BDSM for my tastes. So I went into She Cat with a bit of worry. Was I in for the same experience, just packaged differently? Luckily not, I wouldn't even call this a Roman Porno. Sure it features a helluva lot of nudity, showers scenes, rape scenes and everything else you'd expect from an 80's Japanese exploitation picture.

But luckily this film is more plot based then I expected. It's also more then anything else a sleazy Yakuza film.Now anyone who knows me, knows that Yakuza films are my favorite genre of films from Japan. Everything from early Fukasaku to the bat-shit crazy Dead Or Alive films from Miike (before he went Mainstream) to all the J-video films starring the likes of Riki Takeuichi, Sho Aikiwa and my personal favorites the Seijun Suzuki/Jô Shishido classics like Youth Of The Beast & Branded To Kill. Or Suzuki's Yakuza art house classic Tokyo Drifter. My point is, if a film deals with the Japanese mafia I will more likely then not watch it. No, I didn't forget all the wonderful Kitano Yakuza pictures but this is a review of “She Cat” not a 12 page essay on my obsession with Japanese gangster culture. So lets move on... shall we?