Movie Review: CBGB (2013)

Hilly Kristal(Alan Rickman) isn't known as a great business man but he is known as someone with vision.  Vision to see past bleak walls and empty floor space in a bar located in the Bowery in New York City.  Hilly decides to open up the "CBGB" as he intends to bring in the next big thing in music; Country, Blue Grass, and Blues.  What happens is something a bit different, but does bring in Other Music For Uplifting Gormandizers.  The movie plays out much like a comic magazine.  scenes would change by showing what looked like a comic book page with panels and word blurbs.  I liked how it played out and it kept the movie fun and engaging.

"CBGB" does not claim to be one hundred percent historically accurate but it does serve for excellent entertainment and absolutely incredible music.  The film starts out with the founders of "Punk" magazine, John Holmstrom(Josh Zuckerman) and Legs McNeil(Peter Vack), drawing and discussing their vision of their upcoming issues.  This is the one part of the film that I wish would have been explored more.  I would have found it fascinating to see how a magazine in the 1970s would get off the ground from someone's basement.  The two founders do show up throughout the film however to interview different punk music artists.  It was cool to hear quotes from the artists and also see the cartoon artwork from the magazine.

Now back to the club where Hilly is needing to book some musical talent.  This is where Terry Ork(Johnny Galecki) comes in.  He is the agent of a band called "Television" and they are looking for a place to play.  Despite what the initials "CBGB" stand for, "Television" auditions anyway.  Hilly, being the visionary he is, agrees to let the punk band play shows at the "CBGB."  This is where things change.  "Televison" receives a great review and now the "CBGB" is the place to be.  Other bands/singers go on to play the CBGB like; Blondie, The Dead Boys, Talking Heads, The Ramones, Patti Smith and many others.

While I loved the music in "CBGB," I was not a fan of the quality of sound.  These were supposed to be live events inside of a dive bar but every song played was the studio version.  There was a level of rawness that went missing and may have been a large part of why this film did not do well theatrically or with many critics.  There wasn't much of a timeline for this film either.  The news was on at the bar, but unless you really know when those events took place, you may not know what year you're in(unless it all happened within a couple months).

I did enjoy "CBGB" as it is a comical look at a life with ups and many downs.  I was entertained by the rise of a small club that was a beacon for amazing music and it was thanks to Hilly Kristal.  The movie didn't claim to be more than what it was, an entertaining and partially true look at Hilly Kristal's life.  In the credits, at the end there is even a call out of how the filmmakers know Iggy Pop never played the "CBGB" and for the viewers to, "get over it."

There were some interesting casting choices which, for the most part I liked.  Malin Ackerman as Debbie Harry, Taylor Hawkins as Iggy Pop, Justin Bartha as Stiv Bators, Rupert Grint as Cheetah Chrome and Mickey Sumner looked great as Patti Smith.  The casting of Joel David Moore as Joey Ramone was not my favorite.  It was a bit distracting but at least there weren't many lines.

On the scale of up to five Pile Drivers, I am giving "CBGB" four.  A fun movie about an era of music I really enjoy.  The soundtrack alone makes it worth checking out for me.

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Movie Review: Surreal Sicko/Metalheads (2012, Bill Zebub Productions)

...stepping outside the box for a moment, so to speak, this viewer cannot help but express appreciation for the occasional 'curve ball', thrown my way, with regards to the eclectic variety of films, which are laid out before me, to review; proving an exercise in literary prowess, time and time again, it has taken a respectable amount of objectivity and open-mindedness, in critiquing such films...with a good measure of dedication towards...for good, or for bad, no matter what the subject matter is, or how it is presented...conceiving of what the filmmaker possibly wanted to do or say, with regards to the film, or films in question. With that deftly said, let's move on to yet another one of those 'curve balls', shall we?? And from the looks of things, this one ain't gonna be pretty...

...considering the minimal premise associated with "Surreal Sicko", this ready-steady viewer feels inclined to unconventionally portion, or ration out the threadbare storyline, get right to the heart...or rather, 'meat' of the matter, and pick up the pieces, with regards to premise, as things progress. Of course, taking into account, the exploitatively striking and lurid title of these proceedings, the harrowing synopsis of these affairs (...i.e.,  'a landlord takes advantage of a tenant who is haunted by visions and suffers from mental illness and goes on a rape spree and makes him his scapegoat'), the DVD cover photo shots...even the initially numbing effect of the film, itself, post-viewing...this viewer admittedly had initially resigned this material, in much the same light as the similarly lurid, subversive and disturbing fetish-flavored fare, once offered by now-defunct underground video distributor Astaroth Entertainment, who amidst their smattering of genre fare, which this viewer more readily favored, in his collection (...'The Necro Files", the 'Faces of Gore' shockumentary series, etc.), they also handled the release of sexually sleazy and disturbing (...and that's putting it mildly) micro-budgeted flickage, depicting (...emphasizing the word 'depicting', mind you) scenes of no-holds-barred, extreme rape, forced asphyxiation, inhalants, mutilation, and anything else with similar shock value...

Movie Review: La Bamba (1987; Columbia/Twilight Time)

...considering the historical events associated with the previous film, which this viewer partook of and reviewed, a while back, it is sort of ironic that the year 1959...closely associated anti-establishment movement, initiated by political warfare guerrilla Che Guavara...would also be the same year, which bore a headline of great tragedy, of equal precedence...media & headline-wise...and the subject of this viewer's next review...

...date line, circa 1959.....Cuban President Fulgencio Batista is forced from power, and in his place, Fidel Castro becomes the reigning Cuban Premier.....Television viewers were taken to strange, surreal and sometimes horrific places, which lay 'somewhere between the pit of man's fears, and the summit of his knowledge', with the premiere of "The Twilight Zone".....the Xerox company introduces their very first copier.....The epic film, "Ben Hur" holds it's star-studded gala premiere, in New York City.....And disaster strikes down a small, single-engined 1947 Beechcraft Bonanza plane, one fateful winter's evening, on the outskirts of Clear Lake, Iowa...the fiery crash, claiming the lives of famed rock-n-roll musicians Buddy Holly, J.P. Richardson (...aka 'The Big Bopper'), and 17-year-old Richard Stevens Valenzuela, also known as Ritchie Valens.....