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April 21, 2015

Cinema Head Cheese: Podshort! - Road Hard (2015)

Kevin Moyers and Sam Poe discuss Adam Carolla's new movie about a comedian returning to the road.

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April 20, 2015

Cinema Head Cheese: Podshort! - The Babadook (2014)

Peggy Christie delivers a twenty minute review of the recent horror film, The Babadook. Complete with shuffling noises and a quick rager about computers.

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April 17, 2015

Movie Review: Atari: Game Over (2014)

When I was a kid, video games made their mark in a huge way. I always loved going to arcades and dumping quarter after quarter into anything from Pac-Man to Gauntlet to Tron to Spy Hunter. Arcade games were found in bowling alleys, convenience stores, laundromats and, of course, stand alone arcades. To have the opportunity to bring these things home was a godsend to a kid like me. The first company to build a system for these games was Atari, and there was a 2600 in thousands of lucky homes. For some reason, Atari died off and was usurped by Nintendo, Sega and other systems. Most of the blame, until now, has been thrown onto one infamous game based on a favorite movie alien.

A legend has floated around for years that after the dismal failure of Atari's E.T. game, they buried millions of copies in a landfill in Alamogordo, New Mexico. Director Zak Penn decided to investigate this claim, along with the entire story of the rise and fall of Atari. The company started simply enough with Pong. If you don't remember Pong, it was a very simple paddle game that resembled tennis. More games were created with the same simple 8-bit technology, and new designers joined the fold. Howard Scott Warshaw was one of them. He was the creator of the popular Yar's Revenge, which hosted the very first Easter egg in gaming history.

April 12, 2015

Movie Review: Blown (2005)

While I’m working on a series of articles reviewing a certain doll centric movie franchise for another site (*coughcough* REVIEW WHORE *coughcough*), I needed a bit of a palate cleanser before I venture into the final phase. Not sure if this movie is a cleanser so much as a vehicle for alien mouth spores that become sentient, take over my consciousness, and make me kill everyone wearing the color blue.

Blown is a movie brought to us by Abnormal Entertainment. The unholy trinity of David Hayes, Kevin Moyers, and Jeff Dolniak concocted the most ridiculous film I’ve seen in a while. And I just slogged my way through Bride of Chucky.

Bobby (Dolniak) is getting married and celebrates with a loud party. His neighbor, a voodoo witch named Esmerelda (really guys?), has had enough with his merry making. She asks a severed head for advice in creating a curse to put upon Bobby and his buddies. Long story short - her soul ends up in a inflatable fuck doll in whose plastic form she exacts her revenge.

April 10, 2015

The Dirty Harry Films: Do you feel lucky punk?

I was recently reading Robert Greysmith’s books on the Zodiac killings [Zodiac & Zodiac Unmasked] and got so fascinated by the story that I watched Zodiac (2007), even though I don’t like David Fincher’s movies (and this was not an exception). Anyway, the meat of the story was that this person was killing just for the hell of it!

A few years ago I had seen The Zodiac Killer (1971). I still have the Something Weird DVD, but I didn’t revisit it, as I don’t remember it being particularly special. But I read that Dirty Harry (1971) was based on the real life murderer and chief investigator, and since it is one of those films that you have to see (because everybody has), I decided to not only give it a go, but review the entire franchise that was build on the success of the first movie. After all I love Clint Eastwood in Sergio Leone’s westerns, so how wrong could I go?

The Dirty Harry films are action cinema masterpieces and should be praised as such. They may seem a bit problematic today as the cop worshiping scenario looks occasionally cheesy or at least dated, but they work perfectly as escapism adventures.

The Dirty Harry films proved very successful at the box office (well, not the last flick in the franchise, but the first four). Every Dirty Harry flick was made by a different director. Those five were Don Siegel [Invasion of the Body Snatchers (1956)], Ted Post [Beneath the Planet of the Apes (1970)], James Fargo [Caravans (1978)], Buddy Van Horn [Pink Cadillac (1989)], and star Clint Eastwood.

March 31, 2015

Just when you thought you wouldn’t read any more Jaws reviews…

I like independent film politics, you know, the stuff Lloyd Kaufman is preaching. And Roger Corman has said in some interviews that it was Jaws (1975) that killed the independent genre productions because the majors found out what they were doing and turned into something bigger and better. This reason alone was enough for me to stay away from this evil film by Steven Spielberg. The fact that I don’t like his movies in general didn’t help either. I didn’t even find depth in Schindler's List (1993). And I regret spending my cash to see the boring Artificial Intelligence: A.I. (2001) and the ridiculous War of the Worlds (2005) in a movie theatre.

But now the time has come. I finally decided to watch every film in the entire franchise. As the above paragraph reveals I am not an expert (quite the contrary I would say) so this article should be read as a reviewer’s journey and nothing more than that.

Wikipedia tells me that the first film was based on Peter Benchley’s same-titled novel, which in turn was based on some shark attacks from 1916. The success of the novel and then the first film (considered by many to be the first high-concept blockbuster flick), spawned sequels, video games, theme parks and merchandize of every kind; which generated hundreds of millions of dollars. Go ahead and read the reviews of the four films.

March 26, 2015

Movie Review: SexWorld (1978)

Directed by Anthony Spinelli

Movie Review by Greg Goodsell

It would follow that Michael Crichton’s sci-fi epic Westworld (1973), a theme park for adults with anything-goes pleasure androids would eventually get the triple-X treatment. It took director Anthony Spinelli and his organized crime cohorts three years to mount SexWorld, but the twain between mainstream and porno would never meet. Whereas Westworld jettisoned James Brolin and Richard Benjamin on a futuristic hovercraft, the lower middle class folk ferried to SexWorld have to settle for a smoky ol’ bus, with a “SexWorld” banned hastily stapled to the side. As smut scholar Robin Bougie would note in his essential volume “Graphic Thrills: American XXX Movie Posters, 1970 to 1985,” there was no substituting Hollywood with Inglewood this time around.

March 24, 2015

Movie Review: The Killer Shrews (1957)

Directed by Ray Kellogg

Movie Review by Greg Goodsell

Macho Captain Thorne Sherman (James Best) and his black manservant “Rook” (Judge Henry Dupree) ship out to a secluded island to ferry some people to the manland. You don't get any extra points in guessing who is killed first. Once at said island, they are greeted by Dr. Marlowe Craigis (Baruch Lumet) his Swedish daughter Ann (Ingrid Goude), his helpmate Jerry Farrell (Ken Curtis) and dotty Dr. Radford Baines (Gordon McLendon). Due to weather conditions, the captain informs his chartered party that due to weather conditions, and that he will be unable to ship them back to the mainland straightaway. They express shock and disappointment – is there something they're keeping away from him?

March 18, 2015

Fright Nights Horrorant Film Festival 2015 – Part 2 The Features

Do you remember last year when I did a big-ass reportage (in four parts no less) on the 1st Fright Nights Horrorant Film Festival? Yes, Greece’s sole annual and international Horror Film Festival. Well, what do you know, since then I became a columnist for their website. And what do you know; I am now a member of the Jury that will give the Short Films Awards!

Now that the 2nd edition of the festival has wrapped, I present you the reviews of the features that I watched. I tried to watch as much celluloid as I could, but not everything because first there were two screens (running different films simultaneously) and then I am (still) a human being. I think. Enjoy!

Thursday 12th of March 2015

This day kicked off with last year’s award-grabbing The Battery (2012), and Les Diaboliques (1955) which was part of the French Horror Special. On Screen 1 The Babadook (2014) was the official opening film, while on Screen 2 people watched Phantasmagoria (2014). The night ended with Domo (2014) on Screen 2, but I was having a blast on Screen 1 the film reviewed bellow.

Another (2014)

This is the first feature film by writer/director Jason Bognacki (he made shorts previously) and it is about Jordyn [TV actress Paulie Redding] who is the devil’s daughter, which works as having an alter ego which is sexier and has more abilities.

The first half is very much a film that if it was directed by Dario Argento it would now be praised as a masterpiece. The second hand is more about the supernatural but in such a dreamy fashion that Jess Franco would be proud. The finale is very Roger Corman, and that can only be a good thing.

March 13, 2015

Article: The Men (and Women) of Steel - A Retrospective

With the May 2015 opening of It’s a Bird, It’ a Plane, It’s… Superman, the 1966 musical, at the Community Theatre of Howell in Howell, Michigan (of which I am proudly serving as director), I thought it appropriate to tie together the cinematic, silver screen and stage appearances of the Man of Steel in one retrospective. Out of all of our comic book heroes, Supes has gotten the absolute most screen time (far more than Batman, Spider-Man, Hulk, etc.). Still, with the thousands of comic book adventures, feature films, television shows and stage productions there are only a handful of people that have donned the tights and represented truth, justice and the American way in the media.

I know I say this all the time, but it is an incredible honor to be able to work in Superman’s world. Being part of that small handful of artists that populate Metropolis, Smallville and Krypton is something I will cherish for the rest of my days. How will we stack up against the following roll call of the world’s biggest Boy Scout? Join us at The Blog of Steel and watch the journey unfold. Until then… this looks like a job for, well, for me.

March 12, 2015

Fright Nights Horrorant Film Festival 2015 – Part 1: The Shorts

Do you remember last year when I did a big-ass reportage (in four parts no less) on the 1st Fright Nights Horrorant Film Festival? Yes, Greece’s sole annual and international Horror Film Festival. Well, what do you know, since then I became a columnist for their website. And what do you know; I am now a member of the Jury that will give the Short Films Awards!

This first article will present you all of the short films. These were running before the features. Obviously I watched these in advance. I would do the same for the features and I will watch as much celluloid as I can, but not everything because there are two screens this time around (running different films simultaneously). Enjoy!

C’Est Entre

This is an interesting horror/comedy; with perfect timing for comedy, and excellent post-production; it looks like a good student film.


This one has magnificent use of the camera (and the cinematography in general), with outstanding performances.

Movie Review: Porn of the Dead (2006)

What did I tell ya? I’m back for more of director Rob Rotten’s cinema!

In the first scene of this one a male scientist picks up a female zombie hitchhiker and leads her to his seedy place where the un-dead girl will first suck him and then allow him in her ass. Yes, I see an anal fetish going on here and the audience even gets to witness some ass-to-mouth action. The male performer’s cum-shot is not very spectacular, and this is probably why the zombie girl bites his dick off. Or maybe there are hints of the female predator theory here?

In the second scene a blonde Lolita (damn hot thing) allows in her fantasy a zombie man in her bedroom who has his way with her, including some very brutal anal action. If you like your ass fucking to be accompanied by rough metal music then look no further, this is your film!

In the third scene a porn movie set is invaded by a bunch of male zombies that gang bang the female star.

The last two scenes are the least exciting ones and in each one of them a doctor fucks a zombie girl (including anal of course). You gotta love zombie whores!

Ladies and gentlemen, aside the hot sex here and the gore effects, kudos should be given for the attention paid to the excellent set design; and I am not joking.

February 28, 2015

Secondhand Smut #4

Do you remember when I announced the closure of the Secondhand Smut column? Well, here I am again. With nothing secondhand but certainly Smut. I’ll explain.

I had plans for the fourth installment to cover my findings from August, September, October and November 2014, but this simply wasn’t meant to be. So, here I am, reviewing some Smut that I recently got my dirty hands on.

Sweet & Sour (1974)

The male lead is a photographer (of mainly pornographic stills) and he just found his muse off the streets who is a musician. Together they will experience sexual acts that are moving this film in a very conventional way; that is, until the violent outburst of the ending which makes the whole journey worthy.

There’s no telling how much of a Lloyd Kaufman fan I am. He’s mostly known for his independent ‘70s and ‘80s flicks, but I’m more in love with his ‘90s and ‘00s masterpieces. Sweet & Sour (1974) is an early pornographic film of his. The copy I have is in terrible condition and I pray that someday Vinegar Syndrome will release a good restoration on disc.

Hardgore (1976)

Maria [Dianne Galke from Teenage Runaway (1975)] is a nymphomaniac with masochistic tendencies as we learn, and so she is locked in a nuthouse. She should suspect that this institution for mental patients has something to hide though because the nurse who’s showing her into her room is teasing her and soon the two of them get to have some hot lesbian action. Later Maria will find a couple of dildos in her room too; professional help, right?

A nurse will have her throat slashed and this is the movie’s turning point. From then on everything seems to be lit in a horror movie way. Just when you thought you’d get scared though you see a dildo attached to a medical machine providing pleasure to the female lead, and just when you thought you’d get horny you see a dick chopped off.

The female lead is kidnapped by some people who force her into ceremonial group sex (there are several black magic symbols here on display, or maybe they are Satanic, or both, or I don’t really know). There is a man in a Devil mask that is conducting most of these orgies. And there are a few flying penises that are shooting insane amount of semen, resulting in a bukkake scene. You can’t call it bukkake per se because the term was first used for post-1980 Japanese films, but I don’t know what else to call that scene.

There are some more bloody scenes here, in the form of murders, or ‘forced accidents’, and the whole thing reminded me a lot of Herschell Gordon Lewis’ best moments even though it works mostly as a Slasher film. It didn’t seem to be very popular back then, but this combination of hardcore pornography with hardcore splatter seem to be attracting many new fans nowadays as this film has finally its cult following and is mentioned way too often online.

February 24, 2015

Camm Harston Needs Your Help!

On February 21, our friend and brother Camm Harston suffered from a heart attack. He has congestive heart failure, and was admitted to the VA hospital in Portland two days before the attack.

His path to recovery will be difficult. This fund is set up to assist him with expenses as he works his way back to health.

Please donate what you can, even if you think it may be insignificant. Everything helps. Share this as often as you can. Your assistance and support are greatly appreciated.

To donate, head to Thank you!

Cinema Head Cheese: Podshort! - The One I Love

Kevin Moyers reviews an interesting love story with a three person cast as well as his new piece of audio equipment.

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February 20, 2015

The Many Faces of Emmanuelle: A NSFW Photographic Journey

I love erotic fiction. One of my all time favourite novels is Emmanuelle (or Emmanuelle: the Joys of a Woman). Most believe that it was written by Emmanuelle Arsan (real name: Marayat Rollet-Andriane) but there are plenty of rumours of it being written by her husband (Jacques Rollet-Andriane).

The reader is experiencing the story through the point of view of the title’s character, which has sex with a variety of people. It was originally published in its country of origin in 1967 and in English a few years later (it was first published anonymously in 1959, but it didn’t became the phenomenon that it meant to be in the ‘60s and ‘70s.), just when the first wave of commercial adult films was thriving and that shouldn’t be too surprising as the novel’s structure works like one.

The book was adapted by director Just Jaeckin into a film, Emmanuelle (1974), with Sylvia Kristel in the starring role, and was met with enormous success both in its production country (France) and internationally. It led the way for numerous erotic films to flood the market [Jaeckin also made Histoire D'o (1975) which was also based upon a provocative novel], and it was only a matter of time before various sequels materialized (official and unofficial). And then there was the Black Emanuelle (note the difference in the spelling). And so the legendary character was played by many attractive young actresses. This article is about them, the performers that brought Emmanuelle to the big screen.

She was born on the 28th of 1952 in Utrecht, Netherlands and began modelling before she was 18 (she won the Miss TV Europe award). Emmanuelle (1974) may not be her first part, but it was the one that sky-rocketed her career in film. The next year she reprised her role in Emmanuelle II (1975). Then she collaborated with legendary Avant-Garde director Walerian Borowczyk in The Margin (1976) and Art-House auteur Claude Chabrol in Alice or the Last Escapade (1977). Her natural features were once again explored in Goodbye Emmanuelle (1978). In the late ‘70s he worked with famous actors such as Alain Delon [in The Concorde Airport ’79 (1979)] and Ursula Andress [in The Fifth Musketeer (1979)].

Just Jaeckin directed her again in another erotic novel adaptation, Lady Chatterley’s Lover (1981). Emmanuelle IV (1984), Red Heat (1985) with Linda Blair, and Bert Gordon’s The Big Bet (1985) kept her busy in the mid-‘80s. In the late ‘80s she was the female lead in Christopher Coppola’s Dracula’s Widow (1988).

Movie Review: 2 Girls 1 Cup (2007)

As you probably already know, I like porn. Backroom Casting Couch is one of my favourite online series of videos, and I love them because the fantasy is great and the performers are usually gorgeous. But this is an example of ‘regular’ porn that ‘regular’ Joes tend to watch. But, people with fetishes have their own porn too.

Something like a decade ago, I came across a Max Hardcore video or two. I don’t remember which ones, but it doesn’t really matter as they all are very similar, as is often the case with gonzo porn. I watched attractive girls doing filthy things with this dirty old man; and vomit was involved. That’s the kind of fetishist porn I was talking about above. Such is the case of the title that I am about to review here.

Max Hardcore may be American, and he even did time in jail, but this kind of porn is more often booming in countries such as Brazil. And 2 Girls 1 Cup was made in Brazil by Marco Fiorito who specializes in porn involving piss, scat, and vomit. But what is it about this video in particular that made it the most famous disgusting piece of viral madness ever unleashed on the internet? First let’s talk a little bit about what’s on screen...

An opening credits sequence involving z-grade animation is introducing us to the title’s female leads: Karla who is blonde and chubby, and Latifa who is brunette and skinny. The only sexy thing about this pair is Latifa’s tattoos, and even those, not very much so. Said performers enter a kitchen and they start kissing passionately. And they lick each other’s pussies and assholes. They actually seem to be into each other.

February 18, 2015

Arrow Films US May releases to include Retaliation, Society, and Island of Death all via MVD Entertainment Group

MVD Entertainment Group furthers the distribution of Arrow Video in the US with a strong schedule of May titles...

Retaliation - Limited Edition Dual Format Blu-ray & DVD

In 1969 future sexploitation specialist Yasuharu Hasebe (Stray Cat Rock: Sex Hunter) teamed up with the inimitable Jô Shishido (Tokyo Drifter, Branded to Kill) for a follow up to their yakuza hit Massacre Gun.

A tale of gang warfare that features a raft of the period's most iconic stars, Akira Kobayashi (Battles Without Honor and Humanity, The Flowers and the Angry Waves) is a yakuza lieutenant who emerges from jail to find his gang dispersed and his aging boss in his sickbed. Shishido is the rival waiting to kill him and a young Meiko Kaji (Lady Snowblood) is the girl caught in the crossfire.

Gritty and cynical, Retaliation is a hardboiled precursor to Kinji Fukasaku's revisionist yakuza pictures of the 1970s.

February 17, 2015

Cinema Head Cheese: Podshort! - Better Call Saul Premier

Kevin Moyers reviews he premier episode of the much anticipated Breaking Bad prequel. To view episodes, head to

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Riff Raff (1991) and Raining Stones (1993) Movie Reviews

Honestly, fellas, I don’t know how well I can review these two movies. For one, they aren’t typically what I enjoy watching. Sure, a human interest/drama/comedy film can be interesting or at least, entertaining (like Philomena or Lizzie Borden Took an Axe). But for another reason, I couldn’t understand 98% of what these fookers were going on about in the films. The heavy cockney British accents DO NOT make for easy listening. So I gleaned what I could from every 100th word I caught and the accompanying acting. Here goes nothing.

Riff Raff and Raining Stones are two films from Ken Loach. Apparently, he’s well known for creating movies about the poor/working class and their struggles with every day life, particularly during political change.

Riff  Raff focuses on Stevie (a very young Robert Carlysle whose Scottish brogue is near impossible to translate), a drifter who finds work at a construction site. He squats in a nearby empty apartment, with the help of a few of his coworkers. The construction site has appalling safety conditions: read none at all. Anyone who brings that up is immediately sacked. 

Stevie meets Susan, a lacking in talent singer but they hit it off. After moving in with him, he learns she’s a druggie. Maybe something you could have learned if you knew each other AT ALL before moving in together. After that relationship falls apart, one of Stevie’s coworkers dies on site. The obvious reaction to that is for Stevie and his buddy to burn the location down.


Raining Stones is about Bob, a poor guy with a wife and daughter to clothe and feed. And wouldn’t you know it? His daughter has her first communion coming up and she just has to have a brand new expensive dress for the occasion. He doesn’t have a steady job so he’ll do whatever is necessary to earn that money. He steals local sheep to sell at market or the local bar -whatever; goes door to door clearing drains; works security at a local club; landscaping (read: stealing sod from a local sports club).

Eventually we find out Bob’s borrowed money from a loan shark and when the collection date comes due, Bob’s family is threatened. That’s the last straw for a desperate Bob and he goes after the shark, at very very very high risk to his family and his own life. But there’s only so much one man can take. 

Of the two movies, I only had two emotional reactions during Raining Stones. First when the loan shark came and threatened Bob’s family. Bob is an idiot. I didn’t feel sorry for him and I couldn’t understand him either, despite his obvious religious and fatherly devotion. I did feel terrible for his wife and daughter being subjected to that thug. If Bob just let go of his pride...but then there wouldn’t have been a movie, would there? The second was when another character, Tommy, ended up taking money from his daughter because he couldn’t find work. He silently weeps alone, his strong father figure image shattered in a moment of weakness.

In Riff Raff, rats are referenced or in actual scenes as a metaphor, I’m sure, for the working class. However, at one point, one of the workers stomps on a hairless baby rat. And I’m pretty fucking sure it wasn’t special f/x. Ken Loach actually had one of the actors squash a baby rat to make a point. I almost turned off the movie because I thought I was going to throw up.

Both films are a giant lift ups for the little guy, the one who can’t even make ends meet in a society that considers disposable people acceptable, or at least invisible. Loach kind of punches us in the face with the whole “the hardworking man is crying out for justice” meme but I think that’s his thing.

If there’s anyone else out there that’s watched Loach’s films, or other films like this, you might be better judges of their quality and entertainment. But since I couldn’t understand what the actors were saying, it makes it difficult for me to rate them. So I’ll have to give these a couple of shrugs and suggest you watch them for yourselves.