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August 19, 2014

Movie Review: Save Your Legs! (2012)

Directed by Boyd Hicklin

Movie Review by Greg Goodsell

Lovable loser Edward “Teddy” Brown (Stephen Curry) lives for his local neighborhood cricket club and his two best friends, Rick (Brendan Cowell) and Stavros (Damon Gameau). Teddy’s world is shaken when the substance-abusing, drunken Rick announces his impending marriage to a girl he recently knocked up. In lieu of thinking there may be more to life than getting pissed on the weekend with his fellow Aussie mates, Teddy leads his “D-string” team to a tour of India. Setting up a three match tour, coupled with the chance to meet cricketing legend Sachin Tendulkar, the usual “fish-out-of-water” shenanigans take place. Rick remains a surly, drunken piece of work, Teddy samples some of the local Indian cuisine and spends the majority of finding serviceable areas in which to defecate. Unaccustomed to the chaotic civilization of modern-day India, there is lots and lots of gags surrounding cultural differences. Local lovely Anjali (Pallavi Sharda) is thrown into the mix, and gives the boy something to ogle to perhaps draw away attention from Teddy’s, uh, somewhat inappropriate fixation on Rick. The clueless Australians stumble and fall adorably, and they take up a challenge from an arrogant Bollywood star to take on his cricket team. Everything turns out alright at the end … was there any question it wouldn’t?

Visiting Hollywood’s Amoeba Records DVD section, this reviewer saw a shelf full of discs with the title, “Sports Team is led by a Caring Individual to Victory.” Save Your Legs! Is one of those, and is exceptionally plain and unremarkable in spite of the many exotic locales and unique situations. The cricket team is a bunch of middle-aged losers who spend their weekends drunk and “attempting” to play the game (it doesn’t matter if the viewer doesn’t understand cricket as it doesn’t appear that any of the characters do). Well into their thirties, they cling to youthful hopes and ambitions, but must accept the fact that “the train has left the station” at this point. The guys get into scuffles, patch up their differences, and find plenty of time to look with startled expressions at the culture of India. Save Your Legs! Is painfully predictable, and is intended solely to provide diversion on a weekend night. The closest thing it makes to a statement on the team’s “Peter Pan” syndrome is when Teddy confronts the boozing Rick on what type of father he’ll make for his forthcoming child.

Movie Review: See You Next Tuesday (2013)

Directed by Drew Tobia

Movie Review by Greg Goodsell

Declared “The Most Effectively Offensive Film” of the 2013 Boston Underground Film Festival, See You Next Tuesday takes no prisoners. Described as a film that “the whole family can enjoy cutting themselves to,” there are plentiful laughs to be found here, just be warned that it has several sights and sounds that shocked this most seasoned reviewer …

Mona (Eleanore Pienta) is a verging-on-psychotic check-out girl at a Brooklyn market. Days away from giving birth – no word on the father or medical treatment, as Mona hates those doctors putting their fingers in her vagina, she stumbles from her colorless job to her shithole apartment in a daze. Put upon by her ghetto fabulous coworkers, Mona turns to her immediate family for solace. There’s her mother May (Dana Eskelson), a selfish, verbally abusive woman who lives for her Alcoholics Anonymous meetings and the gossip opportunities it brings.

August 18, 2014

Movie Review: The Sacrament (Blu-ray, 2014)



Reviewed by: Jimmy D.

Ti West is one of those directors that horror fans are torn on, some love his slow-burn style of storytelling and others just wish he would get to the horror and ditch the long drawn out story.  This time Ti trades in the supernatural for a religious cult leader. The film opens with Sam and Jake who are reporters for a magazine that specialize in stories that go under the radar for publications. Patrick is a photographer who receives a letter from his sister Caroline. The letter states that she is staying in this cult like commune outside of the United States. Patrick invites the two reporters hoping for a good story for the magazine.

As soon as the trio arrives they encounter men armed with guns and seem very confrontational. Well, once they get past this they meet the people in this community, and each person goes on and on about how great it is there, how there are no problems or issues and that the leader looks out for them, his name is “ Father”. After, an interview of sorts with this leader Father, the guys soon discover he is not what he seems on the surface. After the interview, a few others in this commune start to ask the guys to let them leave with them.

August 16, 2014

Movie Review: Purely Physical / Cat House Fever

Vinegar Syndrome seems to be digging more and more into their already massive library of adult films for 80's porn titles. Much of what's been released has been from the 70's so it's definite plus seeing titles from the era where porn on film soon became porn on video. Their double-bill of Purely Physical and Cat House Fever come from director Chris Warfield (aka Billy Thornberg, Garters and Lace, Sheer Panties) and are still thankfully on film.

First up, we get Purely Physical starring Laura Lazare (who also narrates) as Kathy, a young woman just starting a new job at a hotel that caters to people who just like to show up and bang. She likes fantasizing about the guests so it's a perfect fit for this horny young lass. There’s a nice variety of clientele: from virgins enjoying their first time, a chubby rich guy and his whore and even a business woman (Played by the legendary Aunt Peg) who likes to diddle her lady parts while peeking in a make-up mirror.

August 15, 2014

Vincent Price Collection II Blu-Ray from Scream Factory! 10/14 Street Date!


FEATURING THE FIRST-EVER BLU-RAY PRESENTATION OF THE HOUSE ON HAUNTED HILL (1959), THE RETURN OF THE FLY (1959),THE COMEDY OF TERRORS (1963), THE RAVEN (1963),THE LAST MAN ON EARTH (1964), THE TOMB OF LIGEIA (1964), and DR. PHIBES RISES AGAIN (1972)

IN STORES EVERYWHERE ON OCTOBER 21, 2014 FROM SCREAM FACTORY

On October 21, 2014, collectors, classic film aficionados and horror enthusiasts will relish the 4-Disc Blu-ray™ release of Scream Factory’s THE VINCENT PRICE COLLECTION Volume II, perfectly timed for Halloween and this year’s holiday gifting season.  This extraordinary collector’s set is an essential movie collection for every home entertainment library and brings together SEVEN Vincent Price masterpiece classics, featuring the first-ever Blu-ray movie presentation of  THE HOUSE ON HAUNTED HILL (1959), THE RETURN OF THE FLY (1959), THE COMEDY OF TERRORS (1963), THE RAVEN (1963), THE LAST MAN ON EARTH (1964), THE TOMB OF LIGEIA (1964) and DR. PHIBES RISES AGAIN (1972). Brimming with a bevy of chilling bonus content including audio commentaries with producer/director Roger Corman, actor Brett Halsey, film historians, original theatrical trailers, rare photos and archival materials, this highly-anticipated Blu-ray collection also includes a 32-page collector’s book, featuring an essay by author and film historian David Del Valle.

SPECIAL OFFER: Order this directly from ShoutFactory.com and receive an exclusive 18"x24" poster featuring our newly commissioned artwork! Available while supplies last. Also receive FREE standard U.S. shipping ONE MONTH EARLY on 9/30.

August 13, 2014

Movie Review: Teenage Catgirls in Heat (1994)

I bought this film years ago when a nearby Blockbuster Video closed (#sorrynotsorryyoucocksuckers) because I thought Joe Bob Briggs did commentary on it. Turns out his little blurb on the cover was as involved as he got in this copy. *sad trombone* But since I’ve adored JBB since his Movie Channel days, I decided to watch it anyway. Let’s just say I was seriously unimpressed.


Teenage Catgirls in Heat is a comedy (Christ, I hope so) brought to us by the Troma Film folks. It opens with an old lady talking to a cat statue moments before she commits suicide. The statue then calls out to all the cats in the area to heed her commands and sacrifice themselves in order for them to become human so they can mate with human men, kill said men, and then give birth to the Great Litter.

Cut over to Ralph, hitching a ride in the back of a pick up truck, and reveling in his new found singlehood. At the height of his happiness a cat darts out in front of the truck. As it swerves, he’s shaken loose and left on the side of the road in the now sudden nighttime (read: shitty blue light filter). Lucky for him the ‘cat’ is now a beautiful naked girl.

Before he gets a chance to talk to her, the neighborhood cat finder, Warren, tears down the road and chases Ralph up a tree. You see, Warren has this homemade radar thing that picks up on cat signals. He assumed the large signal he recently picked up was from a bunch of severed cat heads in Ralph’s back pack. 

Bobcat Goldthwait's "Willow Creek" Debuts on Blu-ray and DVD September 9th!


THE SEARCH FOR THE LEGENDARY BIGFOOT TURNS OUT TO BE NO WALK IN THE PARK FOR TWO TERRIFIED YOUNG ADVENTURERS

WILLOW CREEK

Bobcat Goldthwait's Tension-Filled Shocker, a Bold New Step for the Writer-Director, Arrives on Dark Sky Films Blu-ray and DVD on September 9, 2014

"Unnerving." - Jeannette Catsoulis, The New York Times

 "[Bobcat Goldthwait's] most satisfying work." - Alan Scherstuhl, The Village Voice

A young couple find themselves face to face with a terrifying evil when they venture into the heart of Bigfoot country in WILLOW CREEK, director Bobcat Goldthwait's unique spin on the horror genre. It creeps onto Blu-ray and DVD from Dark Sky Films and MPI Media Group on September 9, 2014, with SRPs, respectively, of $29.98 and $24.98.

Movie Review: "I, Frankenstein" (2013; Lakeshore Entertainment/Liongate)

...a hypothetical question, if I may: Given the countless examination and variations on authoress Mary Wollstonecraft Shelley's immortal horror classic...the films, the books, even that imaginatively scribed by the feeble, albeit able-minded hand of Shelley, herself...what message, overall, was the original 1818 novel, called "Frankenstein, or The Modern Prometheus" trying to explore and expound upon?? That there were certain things that man was not meant to know?? That absolute tragedy, turmoil and nightmarish horrors await, whoever dares to emulate the power of God?? That science and technology must evolve, even in the face of the status quo's fear of the unknown & unexplored, and that there will always be the daring and unconventional one, who is bravely, sometimes recklessly willing to take that step into the unknown, no matter what it takes, no matter what the stakes, as well as the results are...and no matter what consequences, nay even what punishment awaits, as the result??...

...of course, you've heard the story before: Dedicated and obsessed scientist, going against the grain of his teachings...and yet, taking those very same teachings, far and beyond what his educators might have imagined...or would not dare to blasphemously consider...aspires to create a being, from the assembled parts of the dead, using nature's own dark forces, chemically and that wrought from the electrically charged heavens. At first, elatedly relishing his success at reanimating the pieces/parts corpse, Victor Frankenstein is quickly repulsed and disgusted at the unbearable ugliness of his soulless creation, and as such, rejects the misshapen creature, and attempts to destroy it. Driven into a forsaken life of wandering solitude, as the result of his ugliness, as well as the rejection by his 'father'...the creature, whose mental and vocal capacities develop quite rapidly, trudges through a solitary life, learning of what it means to be human...learning of how he came to be...feared by all whom he encounters...and very much desiring the luxury of companionship...someone like himself, who will not reject him. Returning to Frankenstein's home, the creature murderously coerces the doctor to repeat his experiment, in an effort to create a female companion for him; when the experiment fails, and the newly born female creature indeed shrieks at the very sight of her inhuman predecessor, the monster is once again forced into isolation, filled with rage. However, Victor Frankenstein...now in the throes of personal tragedy and emotional turmoil, as the result of the creatures' murderous effect on his life...relentlessly pursues his creation, with the intent of destroying him, once and for all...

August 12, 2014

Cinema Head Cheese: Podshort! - Guardians of the Galaxy

Kevin is joined by fellow Abnormalites Masked Blogster, Self E. Santana, Mandy and Sam Poe to discuss the most fun movie in the Marvel universe.

Click here to listen or right click and choose "Save Link As..." to download.

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August 11, 2014

Movie Review: Hell of the Living Dead / Rats: Night of Terror (Blu-ray)





Since I first laid my hands on VHS copies of the bloodiest horror films Italy had to offer at the numerous Mom 'n' Pop stores in my neighborhood I came to admire the often gruesome work of Lucio Fulci, (Zombie), Dario Argento (Suspiria), Umberto Lenzi (Cannibal Ferox) and Sergio Martino (Torso). These guys were the best and to this day have a place in my black heart. One gentlemen not mentioned that I do feel has had quite a contribution to the Italian cult genre but doesn't quite get the attention is the much maligned, Bruno Mattei. Bruno was essentially the Asylum Films of Italy in the 80's (minus the lazy CGI effects), ripping off bigger films like Aliens and Dawn of the Dead. He was the best at it and his films were rarely boring.

Blue Underground has taken it upon themselves to put together a double-feature Blu-ray of a couple of Mattei's more notable and enjoyable films with high-definition presentations of both Hell of the Living Dead (aka Virus) and the post-apocalyptic rats-run-amok entry Rats: Night of Terror. Let's see if I can handle this much genius!

Hell of the Living Dead is essentially a mash-up of some widely known flesh-eating classics from just a few years before, Dawn of the Dead and Zombie. Except here, Mattei and screenwriter Claudio Fragasso actually add some of their own touches to the mix. When a young woman (Margit Evelyn Newton) hooks up with a group of trigger-happy mercenaries, together they scour the jungle and inevitably wind up at a lab were a horrible accident happened. The path ain’t easy as they run into hordes of zombies and natives infected with a virus unleashed from the lab that’s causing people to want to eat human flesh.

Movie Review: Home, James (2014)

Directed by Jonathan Rossetti

Movie Review by Greg Goodsell
   
James (played by director Jonathan Rossetti) is an aspiring fine art photographer who lives in Tulsa, Oklahoma. He pays the bills by working as a sober driver, trolling the pubs of the downtown area, offering rides to inebriated club goers. It is in this seedy milieu that he meets Cooper (Kerry Knuppe), a woman who likes her liquor and high times. James plugs away at his photography career while dating the carefree Cooper, until he gets a break with a major gallery owner. Matching Cooper drink-by-drink, James stumbles and falls and realizes he must divest himself from what is essentially a toxic, dead-end relationship.

Home, James is a microscopic budget indie romance and labor of love currently making the film festival rounds. Its story is simple and stark, and the performers are able to pull off the subtle gradations of infatuation, romance, love and alienation in a compelling manner. Director-writer-star Rossetti seems a bit too old to be playing a conflicted twenty-something artist. Co-star Knuppe has probably tired of being told how much she resemble Julia Roberts. As befitting a story about a photographer, the cinematography by George Su is gorgeous. Especially noteworthy are the scenes set at dawn, where the young lovers are bathed in exterior scenes doused in rosy hues of peach and red.

August 8, 2014

40th Anniversary Texas Chainsaw Black Maria DVD/Blu-Ray Streets 9/16!

The Texas Chain Saw Massacre: 40th Anniversary Black Maria Ltd Ed

Exclusively Available Through Gorgon-Video.com Starting September 16th


It's been imitated and remade, but never equaled. Tobe Hooper's THE TEXAS CHAIN SAW MASSACRE rose from a notorious 1974 sleeper sensation to rank as one of the greatest horror films ever made. Now, to mark the film's 40th anniversary, Dark Sky Films is presenting the digitally re-mastered masterpiece on Blu-ray for the first time in a stunning Limited Deluxe "Black Maria" Collector's Edition box set.

THE TEXAS CHAIN SAW MASSACRE appears in an all-new 4K digital transfer and with a newly created 7.1 surround sound mix supervised by director Hooper (Poltergeist). This release marks the only transfer of the film to go back to the original 16mm A/B rolls, the actual film that rolled through the cameras. The Limited Deluxe "Black Maria" Edition of THE TEXAS CHAIN SAW MASSACRE will be released at retail in October but will be available exclusively at www.gorgon-video.com for 30 days starting September 16, 2014. Fans of the film will recognize the unique packaging as a replica of the iconic 'Black Maria' cattle truck that comes to Sally Hardesty's rescue when she's being pursued by Leatherface, a fitting nod to the legions of TCSM enthusiasts who were instrumental in keeping the film at the forefront of the genre throughout for the past 40 years and a true collectible display piece.'

This four-disc DVD/Blu-ray combo pack will include a wealth of extras, including:
A Leatherface apron
Theatrical mini-poster
Five audio options
Four feature commentaries with the filmmakers and cast,
Several making-of featurettes
Deleted scenes, outtakes, bloopers, trailers and much more

August 7, 2014

Movie Review: Erotic Adventures of Candy/Candy Goes to Hollywood

It seems that all types of adult entertainment (be it soft or hardcore erotica) have put on display some memorable mammaries…or in very simple terms, boobies. The natural jug is something special though. Don’t get me wrong there have been some fine pairs of fake boobs in adult cinema but, to me, nothing beats a good soft, squishy, hypnotizing natural rack that hangs off a gal’s torso. Christy Canyon, Seka, and Ushi Digard are some true favorites that no doubt “bare” that top-notch bosom. I had never seen the lovely Carol Conners until I took gander at Vinegar Syndrome’s latest XXX double-bill, Gail Palmer’s Erotic Adventures of Candy and Candy Goes to Hollywood until recently and I must say that this Golden Age babe is right up there with those other lovely top-heavy honeys.

August 5, 2014

Movie Review: Soft in the Head (2014)

Directed by Nathan Silver

Movie Review by Greg Goodsell

Every once in a while you come away from a motion picture, worrying … was I supposed to laugh? Would people think less of me if I did? Giving new meaning to the film “indie comedy,” Soft in the Head has many such moments. The characters range from flaky to dysfunctional to outrageously psychotic, all of them living far below their potential.

Set in contemporary Manhattan, Soft in the Head stars Sheila Etxeberría as Natalia, a beautiful 25-year-old “free spirit” that everyone wants to strangle. Alienating friends and family with a goofy smile perpetually on her face, she’s turned out on the street when she meets a kindly elderly man named Maury (Ed Kane). He offers her a place to stay with no strings attached … before you assume the worst, it turns out that Maury’s apartment is an undeclared homeless shelter housing some of the most out-to-lunch street crazies imaginable.

Movie Review: Baby Rosemary (1976) and Hot Lunch (1978)

Directed by “Howard Perkins”

Movie Review by Greg Goodsell

Vinegar Syndrome wipes off a couple of shot-on-film XXX favorites that are, uh, more interesting than most. Both Baby Rosemary and Hot Lunch were directed by John Hayes, who directed the quirky Garden of the Dead and Grave of the Vampire. Under the name of Howard Perkins, Hayes would helm hardcore porn, giving these features a bit more attention than they probably deserved.

Baby Rosemary is unconnected with Roman Polanski’s horror classic Rosemary’s Baby (1968), although it has distinct horror elements. Sharon Thorpe plays Rosemary, a most unappealing female lead. With her dishrag personality and frequently dirty hair, still outgrowing a blonde dye job, she blue-balls her boyfriend Jon (John Leslie). Not to worry – John just hoofs it across town to a prostitute (Leslie Bovee) for some relief. The next day, Rosemary goes to visit her estranged father at a San Francisco flophouse – where she is raped at knifepoint by her father’s neighbors Ken Scudder and Monique Cardin! Rosemary decides she likes it and begins to see Scudder romantically where he brutalizes her a second time. She’s saved by John, now in his day job as a police officer!

No, it doesn’t make any sense – remember, this is a porno film! Rosemary’s father has passed, and she is asked to formally identify him at the coroner’s office. Now a teacher at an all girl’s school, two of Rosemary’s prize students, played by Candida Royalle and Melba Bruce, drop to their knees to offer up a pagan prayer involving a Priapic god. Visiting a funeral home, Rosemary’s two students ball a mortuary attendant in a room with classic horror movie posters tacked to the wall.

Movie Review: Edward Lee's Bighead (2013)

We all know that I am a fan of Ed Lee. The visionary, hardcore horror novelist with titles like Goon, Flesh Gothic and Header has been on the cutting edge of terror fiction for many years. Often dismissed as a writer into gore for the sake of gore, his work is definitely unique but behind the grue there are messages and themes that resonate with the reader. Oh, and those messages and themes are stirred together with various bodily fluids and a healthy disregard for decorum and political correctness. That is what makes this particular film so surprising. After reading The Bighead I thought one thing: unfilmable. Not that it couldn't happen, it just wouldn't. No actor in their right mind would tackle this. I was wrong. These folks did and it was revolting, just like it should be.

August 4, 2014

Movie Review: Cannibal Holocaust (1980, Grindhouse Releasing)

...ah, yes!! It was a sweltering mid-80's summer sizzle, when this viewer, per chance, received an updated mail-order flyer from one of this ardent collector's numerous bootleg 'connections' (...my favorite, at the time, was the exclusive and 'rare' bootleg offerings from published & respected horror auteur and spokesperson, Chas. Balun); it was a time, genre-wise, on the final gasp of gutsy theatrical releases...those films, daring not to adorn themselves with one of those pish-posh MPAA ratings...wearing instead, the seductive banner, sternly reading, "...there is no explicit sex in this picture; however there are scenes of extreme violence, which may be considered shocking. No one under 17 will be admitted". And an eye-rolling 'ya-dada, ya-dada, ya-dada...'. George Romero called it out, inaugurally, with his zombie masterpiece from 1978, "Dawn of the Dead", and of course, anything produced by Italian goremeister Lucio Fulci, post-"Psychic", was domestically labeled as such (..."Zombie", "City of the Living Dead/The Gates of Hell", "The Beyond", "House by the Cemetery", et al.). The quirky 1982 Spanish slasher, "Pieces" wore that badge of proudly shameless honor, as did the gory 1985 domestic splatter classic, "The Mutilator". And of course, later, in what was considered the 'year of the living dead', so did 1985's "Re-Animator", and the George Romero classic, "Day of the Dead"...with some of these aforementioned 'unrated' titles, wimping out, by quickly being pulled from theaters, and later re-released by 'hard R' versions...

...and yet, despite regular engagement of such deliciously visceral, higher-profile theatrical genre fare...for this ardent devotee of the crimson-drenched macabre, as probably was the case for most people of similar ilk, there was always that underlining desire to push that visceral threshold even further, and at the same time, a veiled and hesitant-to-admit apprehension to do so. Now, admittedly around this time, this viewer had indeed been 'hovering' over an at-the-time-only-available-underground title...intriguingly, albeit graphically entitled, "Cannibal Holocaust"; it compellingly and daringly claimed that this one was the 'one that goes all the way!!' Oh, really?? Considering the exploitative breakdown of the title...we're talking 'cannibals', and a 'holocaust', right...as well as the suggestive banner, describing how far the film supposedly goes...well, that's an impressive boast...oh hell, I'm game!!...

Movie Review: Violent Saturday (1955, Twilight Time, Blu-ray)

Reviewed by: Hal Astell

The Bank of Bradenville is right in the middle of town so we get plenty of opportunity to see it as three would be thieves turn up and start casing the joint. They're important folks too, like J Carrol Naish and Lee Marvin, and they're led by Stephen McNally playing a character called Harper. They do their homework carefully and well, studying not just the bank itself, its employees, its safe and its routine, but also the local geography, finding a potential safe haven at an Amish farm run by Ernest Borgnine, the year he won his Oscar for Marty. Yes, the film's worth watching just for that, along with the revelation that Amish farmers in blindfolds look like ninjas. The crooks watch the townsfolk too, with open eyes and ears, which is how we get to know their stories and discover that they're a pretty unhappy lot across the board.

August 2, 2014

Movie Review: Resurrected (1989, Twilight Time)

Directed by Paul Greengrass

Movie Review by Greg Goodsell

The time in which we welcome home soldiers from victorious battles, they say, is extremely brief. Case in point: Private Kevin Deakin (David Thewlis), presumed dead in the 1982 Falklands was after the Battle of Mount Tumbledown is given a regal and dignified military funeral in his English village. His friends and family, while devastated, accept the fact that Deakin died a hero in the service of his country. The problem: A disheveled Private Deakin, shell-shocked and filthy stumbles on a Falklands sheep ranch seven weeks after the war has been declared over. Claiming to have survived by eating worms while thinking that the war was still ongoing, Deakin is sent home to Britain – to a very unenthusiastic public. Having already accepted him dead and war hero, his parents (Rita Tushingham and Tom Bell) must now accept the fact that their son is alive – and as the British gutter press makes him out to be, possibly a deserter.

Deakin's life is effectively over before it's begun. Haunted by flashbacks and shunned by his girlfriend and townspeople, Deakin returns to his military regiment. Treated coldly by everyone, who brand him as a coward, fellow soldier Slaven (Christopher Fulford) leads a brutal “kangaroo court” against Deakin – and justice is meted out in an especially brutal fashion.

Movie Review: The Jungle (2013)

Directed by Andrew Traucki


Movie Review by Greg Goodsell

Ugly, boring sleeve art designed to look good on a Redbox menu. STRIKE ONE. Turns out that the film at hand was "the last anyone saw of these people,” i.e., yet another found footage fright film. STRIKE TWO. Wait a minute, it's set in Indonesia, and hasn't this reviewer thoroughly enjoyed all the horror and fantasy films emanating from this part of Southeast Asia? Give it a go, then?

Australian conservationist Larry (Rupert Reid) is headed out to the wilds of Indonesia in order to track and preserve the endangered Java leopards. Taking his unseen photographer Ben along, the two Aussies are later accompanied by two natives, the superstitious Adi (Igusti Budianthika) and the stern and taciturn Budi (Agoes Widjaya Soedjarwo).

Deep into the rainforest, the four intrepid adventurers begin to find the partially devoured remains of the leopards … could it be the fearsome forest demon the villagers fear? There's lot and lots and LOTS of shaky, hand-held footage of walking through the jungle. “Wait! What's that peering at us from the darkness?”

The viewer waits for something original to happen – but is treated to a scene-by-scene recap of the original Blair Witch Project (1999). Bummer! At least the Paranormal Activity series include at least a couple original scenes in each installment … In fact, this stinkers so slavishly copies Blair Witch – it concludes with the discovery of a mysterious structure found in the middle of nowhere before everyone gets killed, it's a wonder that the Blair Witch filmmakers didn't sue these people for outright plagiarism! Adding insult to injury is the fact that a horned beastie, appearing on the disc's back cover illustration appears NOWHERE in the finished film, and we realize we've blown 84 minutes of our lives with nothing to show for it! STEE-RIKE THREE!