Static Age #17: Return of Ultraman (1971 – 1972) [Complete Series 04]

Return of Ultraman (1971 - 1972) BD box art

This Static Age’s spotlight goes to Return of Ultraman (1971 – 1972), ‘On a mission to save Earth, Ultraman has returned’ as per the front cover tagline of Mill Creek Entertainment’s excellent Region A Blu-ray box-set [Complete Series 04], which contains of all 51 episodes in their original Japanese (DTS-HD Master Audio 2.0) with optional English subtitles and a stunning 1080p High-Definition 1.33:1 transfer. The set also comes with a booklet that is featuring an introductory article to the series, and several guides (hero, episode, kaiju, character, and key technology).

 

Although Tokyo Broadcasting System (TBS) was planning to wrap the Ultra series with its previous installment, fan demand and merchandise sales forced the studio to bring Ultraman back, this time a little different. Fans originally called this version of the hero New Ultraman, but later went with Ultraman Jack.

 

The first episode, ‘All Monsters Attack’ is epic in scope, as Weather awakens all monsters and all hell breaks loose, but it is also a fascinating episode in terms of story as we are introduced to our hero, as well as in terms of visuals especially when director Ishiro Honda opts for psychedelics and weird sci-fi. Ishiro Honda’s second chapter, ‘Takkong’s Great Counterattack’ brings more mayhem as the titular monster is unleashed again. ‘The Monster Realm of Terror’ kicks off with a mysterious monster roar and then it is all about kaiju battles. ‘Fatal Attack! Meteor Kick’ is featuring the awesome Kingsaurus III monster, that Ultraman will be able to defeat only with a special kick. The title of ‘Two Giant Monsters Attack Tokyo’ is self-explanatory, but it should also be added that they resemble nasty cockroaches. The battle continues in ‘Showdown! Monsters Vs. Mat’. The chameleon-like Gorbagos monster makes an appearance in ‘Operation Monster Rainbow’ and MAT will try to defeat it by painting it in the rainbow colors, giving an extra queer touch to the proceedings. ‘Monster Time Bomb’ is about Ghostron a monster with a time-bomb in its body, threatening to explode a dynamite factory! MAT’s New York headquarters develop a special monster detector in ‘Monster Island S.O.S.’. Biology in general and evolution in particular come up front in the eerie ‘Dinosaur Detonation Order’ episode when Stegon, a sympathetic dinosaur fossil comes to life. The Mognezun monster swallowed poison gas in ‘Poison Gas Monster Appears’ and is now far more deadlier. In ‘Revenge of Monster Shugaron’ we’ll get to find out whether the titular monster has a connection with a famous painter or not. In ‘Terror of the Tsunami Monster: Tokyo in Peril’ the Seamons and Seagorath monsters initiate large and deadly waves; the story continues in ‘Terror of the Two Giant Monsters: The Great Tokyo Tornado’. In ‘Revenge of the Monster Boy’ the Eledortus monster gets his power by sucking up electricity! In the eerie ‘The Mystery of Big Bird Monster Terochilus’, unexpected snow and a mysterious red gas cause misery and madness; the story continues in full action mode in ‘Monster Bird Terochilus Big Air Raid of Tokyo’. The Bemstar monster that resembles a flying turtle and that is sucking up gas cannot be defeated by Ultraman, so ‘Here Comes Ultraseven!’. Ultraman returns solo to fight Sartan, a monster that resembles an elephant, in ‘The Invisible Giant Monster from Outer Space’. Ultraman has to fight the Magnedon monster that resembles an alien bull in ‘The Monster is a Shooting Star in Space’. ‘The Monster Channel’ is as eerie as it sounds. Ultraman has to face a trash-eating, web-spitting, and missile-catching monster in ‘Leave this Monster to Me’. In ‘Spit Out the Stars, Dark Monster!’ we are introduced to Zanika, the Cancer monster. In ‘Horror! Birth of the Apartment Monster’, a kid grabs a small part of an alien creature recently destroyed by MAT and nurtures it until it becomes the dangerous Kingstrom monster. ‘Leaving My Home Planet, Earth’ is less about the monster on display, but rather about a kid obsessed with guns.

 

And now, let’s switch our focus towards some recent series…

 

The cast of Penny Dreadful - Season 3

The 3^rd season of Penny Dreadful (2014 – 2016) finds Sir Malcolm Murray (Timothy Dalton), Ethan Chandler (Josh Hartnett), Dr. Victor Frankenstein (Harry Treadaway), and Vanessa Ives (Eva Green) separated in various far away locales around the world, as we are also introduced to Dr. Henry Jekyll (Shazad Latif) and Count Dracula. In the meanwhile Dorian Grey (Reeve Carney) acquires the help of Frankenstein’s monsters and other misfits in order to aid him with the world domination plans that he has.

 

Stunning art from Doctor Who - Season 9

The 9^th season of Doctor Who (2005 – present) continues with more adventures of the titular time-lord (Peter Capaldi) and his sidekick Clara (Jenna Coleman). Airplanes are stuck in the sky in ‘The Magician’s Apprentice’, and Clara looks for explanations as well as the Doctor. Clara does find both in ‘The Witch’s Familiar’, but the Doctor has to employ his rock star qualities in order to save the day. The U.K. cultural phenomenon keeps on getting better and better. ‘Under the Lake’ brings The Doctor and his sidekick to a secluded underwater facility, the inhabitants of which live under the terror of the local ghosts; the story continues in ‘Before the Flood’ in which we are introduced to the evil Fisher King and get to question the origin of Beethoven’s 5^th symphony. In ‘The Girl Who Died’ we are introduced to Vikings (sometimes I wish today’s people would be as tough as Vikings, because due to us citizens being vanilla, we exchanged our privacy for access to social media, essentially becoming as dumb as to swallow laws that destroy many of workers’ rights and project no sense of reaction to our future being stolen by the ruling class) and Ashildr (Maisie Williams), who in the next episode, entitled ‘The Woman Who Lived’ becomes the beauty in a sort of Beauty and the Beast tale set in 1651 England. ‘The Zygon Invasion’ is about the titular aliens who have integrated well on planet Earth, until some of them betray the mutual trust between them and humans; the story continues with Clara playing a double part in ‘The Zygon Inversion’. By employing the legend of the Sandman as well as shaky video footage, ‘Sleep No More’ is one of this season’s most eerie episodes. The very original ‘Face the Raven’ episode is about a strange number tattoo initiated by a raven and is basically a countdown to the person’s death; the story continues in the excellent one man show episode ‘Heaven Sent’ in which The Doctor has to deal with loss; and the story concludes with the season’s grand finale in ‘Hell Bent’.

 

Knives Out (2019) poster

Also, please allow me to speak a word or two about some recent mainstream films…

 

Knives Out (2019) takes the whodunit genre to exciting horror comedy territory, benefiting from an unconventional, intelligent, and original script by Rian Johnson (who also directed) and a great cast that includes Daniel Craig, Chris Evans, and Jamie Lee Curtis. It comes highly recommended and I can’t wait for the sequels.

 

And finally, I would like to let you know that I enriched my bookshelf with the following additions… Stuart MacBride’s ultra-violent police procedure thriller Flesh House (2020), Stephen King’s kinetic and frenetic Firestarter (1980) and the non-fiction opus Danse Macabre (1981), and six books by Roberto Saviano [Il Contrario della Morte (2007), Il Bellezza e L’inferno (2009), Vieni via con me (2010), ZeroZeroZero (2013), La Paranza dei Bambini (2016), and Bacio Feroce (2017)].

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Static Age #16: Police Squad! (1982)

Leslie Nielsen as Frank Drebin in Police Squad! (1982)

This Static Age’s spotlight goes to Police Squad! (1982), starring (the previously serious actor) Leslie Nielsen as the buffoon detective Frank Drebin, assigned to several cases that he solves with plenty of weirdness. This police procedure drama satire proved so popular that an entire film franchise ensued (this will also be covered, in a future installment of A Binge too Far) and indeed the series had me laughing so hard that my belly was hurting. ‘A Substantial Gift (The Broken Promise)’ has Sally (Kathryn Leigh Scott) shooting two men dead at point blank, but as she tells the police a different story, it is now up to Frank to crack the case. ‘Ring of Fear’ (A Dangerous Assignment)’ directed by Joe Dante finds Frank against wise guys that fix boxing games. ‘The Butler Did It (A Bird in the Hand)’ is about a mysterious kidnapping. ‘Revenge and Remorse (The Guilty Alibi)’ is about a series of bombings. ‘Rendezvous at Big Gulch (Terror in the Neighborhood)’ is about a crime organization that is bullying small business owners. ‘Testimony of Evil (Dead Men Don’t Laugh)’ directed by Joe Dante and starring Dick Miller finds Drebin trying to tackle a drug-pushing operation.

 

And now, let’s switch our focus towards some recent series…

 

Penny Dreadful - Season 2

The 2^st season of Penny Dreadful (2014 – 2016) provides us with further adventures of the supernatural kind for the dark team that consists of explorer Sir Malcolm Murray (Timothy Dalton), gun expert Ethan Chandler (the show’s American casting touch Josh Hartnett), Dr. Victor Frankenstein (Harry Treadaway), and medium Vanessa Ives (Eva Green). Aside from the eerie material (however chaotic the mix-up of so many legendary characters), the series also provide some very interesting thoughts on homosexuality and acceptance, as well as feminism and religion. In particular, the mid-season romance arc between Dorian Grey (Reeve Carney) and beautiful transvestite Angelique (Jonny Beauchamp) is a bold queer statement in itself. Featuring imagery so disturbing that in the 1980s wouldn’t attract the star cast that it did nowadays, this proves how much times have changed and it comes highly recommended.

 

The 3^rd season of Fargo (2014 – present), created by Noah Hawley, is about two brothers (both played by this installment’s star Ewan McGregor), one a rich businessman and the other a poor parole officer in love with a gorgeous hooker (Mary Elizabeth Winstead), they both get involved with the wrong people and have to deal with local organized crime’s goons. What we get once again is Cohen brothers aesthetics in the snow and a perfect blend of grimness and humor (very David Lynch-like). Some subplots seem to be going nowhere (one could only get away with such ambiguities in post-2000 television), yet they are all somewhat connected.

 

The 2^nd season of Marvel’s Luke Cage (2016 – 2018) finds the titular superhero (Mike Colter) enjoying the acceptance of the Black community that he gained the last time around, going as far as having his own app, and occasionally roughing up bad guys in Harlem that has become really easy on him. That is until he finds his equal in the form of Bushmaster (Mustafa Shakir), a villain so ruthless that he goes as far as to behead his enemies. This final season suffers from a slow start, but it picks up later when it becomes a gang war epic.

 

And now, please allow me to speak a word or two about a recent mainstream film…

 

Godzilla vs. Kong (2021)

Warner Bros.’ Godzilla vs. Kong (2021) directed by Adam Wingard finds the two titular mega-monsters fighting against each other due to a conspiracy generated by an evil corporation, but as the battle ensues several more monsters enter the picture, and believe me, this is a big picture; made on an estimated $200 million budget this could be nothing less. A spectacle like no other with breathtaking action scenes and spectacular CGI, it succeeds because it also respectful of the spirit of Toho’s kaiju classics. Do not miss it.

 

And finally, I enriched my bookshelf with the following additions: Sheridan Le Fanu’s influential lesbian vampire classic Carmilla (1872); Thomas De Quincey’s intense drugs and philosophy apotheosis Confessions of an English Opium-Eater and Other Writings (2013, Oxford University Press); and Matt Ruff’s excellent road story of real and unreal terrors Lovecraft Country (2018, Picador).

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Static Age #15: Ultraseven (1967 – 1968) [Complete Series 03]

Ultraseven (1967 - 1968) BD box art

This Static Age’s spotlight goes to Ultraseven (1967 – 1968), ‘A powerful fighter defends earth from invasion’ as per the front cover tagline of Mill Creek Entertainment’s excellent Region A Blu-ray box-set [Complete Series 03], which contains of all 49 episodes in their original Japanese (DTS-HD Master Audio 2.0) with optional English subtitles and a stunning 1080p High-Definition 1.33:1 transfer. The set also comes with a gorgeous booklet that is featuring the ‘The Birth of Ultraseven’ article, an excellent introductory piece to the series, and several guides (hero, episode, kaiju, character, and key technology).

 

Unfortunately many of the show’s special effects won’t resonate too well with younger audiences that are more familiar with modern and excessive CGI that are generally more expensive and a mainstay of current mainstream cinema, but I come from a very different generation when things were much more simple (and quite possibly innocent too) and when Toho was telling us that this Japanese guy in a suit is an alien from outer space, we had no reason to doubt it.

 

Another peculiarity that might bother modern audiences is the technology and powers of Ultraseven that usually becomes available with no explanation and out of nowhere. Kids today will be confused, but for my generation the beeping sounds of random computer screens was all the futuristic technology we ever wanted, and it looked believable enough.

 

The special effects I most enjoyed were the toy-like miniatures, that somehow took me back to my childhood. I grew up in the 1980s and back then when we were kids, instead of wasting our times with soulless video games, we would play with all sorts of actual toys and create scenarios; they were damn good times!

 

Watching the series though it becomes apparent that Tsuburaya Productions Co. Ltd. upon request by the Tokyo Broadcasting System went for a more serious approach (compared to some comedic episodes of the previous two seasons), with intelligent scenarios that would appeal to adult viewers – and guess what, they were right to do so as the show became a megahit.

 

The debut episode ‘The Invisible Challenger’ deals with a series of sudden disappearances of unrelated citizens of Tokyo which call for the formation of the Ultra Guard team, which in turn has Dan Moroboshi (Koji Moritsugu) becoming Ultraseven, the mighty alien superhero. The almost ecological ‘The Green Terror’ has mysterious alien rocks landing in Tokyo and going as far as transforming a man into a the otherworldly plant monster Waiell. In ‘Secret of the Lake’ an alien object crashes on a mountain, releasing a black and white monster with claw-like eyes that make rounds as they slightly reach out of its head; it now has to face Ultraseven, as well as another seemingly good-hearted monster, the suit of which wouldn’t be accepted in the Carnival of Rio. In ‘Max, Respond!’, a mysterious woman is stealing the Ultra Eye spectacles, and what’s more the Godola insect-like monsters have a plan to conquer our planet. In the Rod Sterling-styled ‘Vanished Time’, time stops for a moment and brings Alien Vira to the spotlight, a monster that is interested in destroying the Ultra Guard. A mysterious shadow appears in ‘Dark Zone’ that turns out to be a familiar alien. ‘Space Prisoner 303’ is about a very evil and murderous alien with claws. In ‘The Marked Town’ some people of the city of Kitagawa start acting weird and occurrences of violence become commonplace (some of these scenes – such as the bitch-slapping one – are quite uncomfortable due to their harsh realism); what’s more Ultraseven cannot interfere, until it is revealed that Metron has polluted – the already cancerous? – cigarettes! ‘Operation Android Zero’ is about a mysterious woman and an older man that conspire with the aid of lethal toys. ‘The Suspicious Neighbor’ is a very David Lynch-like episode that takes us to the Fourth Dimension. ‘Fly to Devil Mountain’ is a Western-styled episode (complete with horse riding) about a mechanic golden dragon monster. ‘The Man who Came from V3’ is about the dangers of fuel-stealing! ‘The Ultra Guard Goes West: Part 1’ and ‘The Ultra Guard Goes West: Part 2’ are about a series of mysterious murders of foreign tourists and the eventual attack of the evil robot King Joe. ‘The Eye that Shines in the Darkness’ has a bullied kid finding a stone that helps him get through his troubles, but it also unleashes a monster. The spectacular ‘Underground Go! Go! Go!’ is about Miracle Man, a guy who survived a series of accidents. In ‘Escape Dimension X’ the Ultra Guard members are transferred to another dimension that resembles a jungle with several parasitic alien insects. ‘Project Blue’ deals with the threat of Alien Bado. In ‘Destroy Earthquake Epicenter X’, earthquakes generate one of the most impressive monsters of the series. ‘Pursue the Undersea Base’ is a spectacular episode featuring the evil battleship robot Ironrocks that wreaks havoc by the docks. In the spectacular and quite eerie ‘The Human Farm’, UFOs abduct women and implant them with parasites. In ‘Search for Tomorrow’ the Shadow aliens invade, and in the end they also unleash their monster Gublla that manages to fight even when its head gets decapitated by Ultraseven. ‘Return to the North!’ is a boring episode that takes the action to the arctic, but of course conciliation for the viewer comes in the form of a monster. ‘Showdown at 140 Degrees Below Zero’ is also set in snow but is much more exciting. Somehow the titular ‘Super Weapon R1’ manages to give birth to a super exciting bird-like monster that Ultraseven has to take down. ‘Operation Cyborg’ is a very psychedelic episode, although still monster-centric, as less care is given to the more casual human doings on screen. In ‘The 700 Kilometer Run’, Dan and his team from the Ultra Guard face a series of bombings, in a literally exploding episode that is unlike no other, and also widely satisfying. In ‘The Earthling All Alone’, an alien spy masquerading as an evil scientist, is also a monster that Ultraseven will have to face. ‘Glory for Whom?’ is a peculiar episode about a traitor within the forces of Ultra Guard, and unique and original as it is, it becomes one of the best episodes of the series. In ‘The Flower Where the Devil Dwells’ Ultraseven has to downside himself in order to get inside an ill woman, via her nose, and find Dallie, a spider-like monster. The Ultra Eye does not work in ‘The Strolling Planet’, so Ultraseven must get creative! ‘The Invading Dead’ are just what they sound like, alien zombies that even manage to shrink Ultraseven! Standing still and in trance, the habitants of ‘The Vanishing City’ have to face the temporarily evil side of Ultraseven. ‘Terror on the Moon’ is about the results of a mysterious explosion.

 

And now, let’s switch our focus towards some recent series…

 

The Alienist - Season 2 promotional picture

The 2^nd (and final) season of The Alienist (2018 – 2020) is titled Angel of Darkness, and finds the protagonist group of the previous season namely the alienist Laszlo Kreizler (Daniel Bruhl), the illustrator John Moore (Luke Evans), and Sara Howard (Dakota Fanning) who has now left the police for a career as a private detective, returning in order to tackle a new series of murders, this time more gruesome than the last as the killer is targeting infants! More feminist than the previous entry and definitely more eerie, this 8-episode outing is a winner as the series went out with a bang.

 

Twin Peaks (2017) promotional logo

The sole season of Twin Peaks (2017), is mostly referred as the 3^rd season because it is essentially a continuation of the same-titled series from the early 1990s (spotlighted in this column’s previous installment). This outing consists of 18 episodes (the first is of feature-length) and is about another murder that plagues the rural town of that is inhabited by the weirdest characters of Twin Peaks (most of the cast returns, including Kyle MacLachlan, Sheryl Lee, Kimmy Robertson, David Duchovny in drag, and series creator David Lynch; newcomers include Tim Roth, Naomi Watts and the legendary Robert Forster). Offering the sort of misogynist imagery in which a young girl in her underwear is punched in the face by a fully-dressed older man before she gets murdered, this makes for a very uncomfortable viewing. The question is “Is it future, or is it past?” and the answer is “Fire walk with me”, but Lynch is trying so desperately to be weird, that it is unauthentic and therefore borders on the ridiculous. Having said that, at least it seems that everybody in the production department seems to have put a lot of care into this, maybe more than its creator. During the end credits of most episodes a different modern band is featured and they offer some of the best music you’re ever likely to hear on television, so this works as a redeemer.

 

Appropriately taking its title from the pulp predecessors, the 1^st season of Penny Dreadful (2014 – 2016) is set in Victorian London and teams up explorer Sir Malcolm Murray (Timothy Dalton), gun expert Ethan Chandler (the show’s American casting touch Josh Hartnett), Dr. Victor Frankenstein (Harry Treadaway), and medium Vanessa Ives (the gorgeous-beyond-belief but also very peculiar Eva Green), in order to fight against a series of supernatural occurrences and their dark pasts. Many other interesting characters from the era also show up, such as Dorian Grey (Reeve Carney) and professor Van Helsing (David Warner), and creator John Logan’s show sounds like it could easily turn up into a mess, but it is an extraordinary work of horror and fantasy, very well-calculated and thrilling throughout. The all-star cast also includes Billie Piper.

 

Doctor Who - Season 8, featuring Peter Capaldi

The 8^th season of Doctor Who (2005 – present) is introducing the classy Peter Capaldi as the new Doctor, while the gorgeous Jenna Coleman returns as his sidekick Clara. In the feature-length ‘Deep Breath’ the duo has to deal with a dinosaur and a group of bad robots. ‘Into the Dalek’ finds the Doctor and Clara within an actual Dalek! ‘Robot of Sherwood’, the Doctor and Clara team up with Robin Hood (Tom Riley) in order to fight against an alien conspiracy. In the very creepy ‘Listen’, Doctor and Clara come face to face with ghosts from the future and the past that take them as far as the end of the universe. ‘Time Heist’ is featuring the arch-villain the Architect who plans to rob the universe’s most secure bank. ‘The Caretaker’ is introducing the outright creepy Skovox Blitzer. ‘Kill the Moon’ is a fascinating episode which brings Clara to the titular dilemma, posed when she realizes that that planet is in fact a giant egg, nesting ugly spiders. The title of ‘Mummy on the Orient Express’ is self-explanatory. In ‘Flatline’ the Tardis gets smaller, the Doctor is trapped inside, and Clara has to temporarily take his place against a graffiti killer! In ‘In the Forest of the Night’ civilization has a growing tree problem. In ‘Dark Water’ and its second part entitled ‘Death in Heaven’, Clara’s boyfriend (Samuel Anderson) dies, and she, along with the Doctor, try to bring him back from the Nethersphere, but in doing so they also release hordes of Cybermen.

 

And finally, I enriched my bookshelf with the following additions…

 

The Bizarro Encyclopedia of Film Volume 1 (2019, Fungasm Press) by John Skipp and Heather Drain is featuring 26 lengthy articles on a wide range of cult films (the authors’ definition of the term is really broad). Both renowned writers offer knowledge and passion, resulting in a product that is both informative and entertaining. I finished the 400+ pages tome in one 10-hour go because I could simply not put the thing down. It comes highly recommended and I look forward to further volumes.

 

We live in wonderful times, since the invaluable The Rialto Report’s Ashley West and April Hall just co-wrote and published smut legend John Amero’s autobiography entitled American Exxxtasy: My 30-Year Search for a Happy Ending (2020, FAB Press). Expectedly, Amero’s story is awe-inducing, from his early work with the Findlays to producing one of the first hardcore features, and from gay pornography to primetime television. It comes highly recommended and I hope West and Hall assist even more people from the golden age of New York’s 42^nd Street to tell their stories.

 

Elena Gorfinkel’s dissertation-turned-book lewd looks: American Sexploitation Cinema in the 1960s (2017, University of Minnesota Press) is one of those wonderful academic books that although they always remain deep and analytical they also manage to somewhat be enjoyable as well; it is also a valuable addition to the understudied academic angle of the pre-hardcore exploitation nudies.

 

Speaking of these two last porno-centric books, I would also like to add that I just finished my binge through the entire catalog of episodes of the wonderful Porno Cultures podcast (which you can find on Spotify), a very informative (and often entertaining as well) academic show about all sorts of pornographic material, with a bold focus on queer writings and projections.

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