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Showing posts with label Human Target. Show all posts
Showing posts with label Human Target. Show all posts

August 1, 2019

Static Age #5

The Day of the Triffids (1981) frame from the credit sequence.
As the present column is still in its infancy, moderations are still happening in order to make it as enjoyable as possible, and you will now notice that the film and book sections have gone, and we’ll be focusing on television exclusively. Have fun!

The Day of the Triffids (1981) DVD.
The spotlight of this Static Age’s goes to The Day of the Triffids (1981), directed by Ken Hannam and produced by David Maloney for BBC, which is considered somewhat of a classic of its kind (i.e. 1980s U.K. event television), but I found it to be quite amateurish. However, it is only 6 episodes long (25 minutes each), so it never becomes too tiresome.

I also caught up with the following recent shows…

SyFy’s 4th season of Channel Zero (2016 – 2018) is called The Dream Door and it is about a young couple whose crisis may be going through an emotional crisis (mainly due to the woman’s anxiety attacks and other such psychological issues), but the sex is still good, and they happen to move to a house that the guy inherited from his parents, which is the same that he grew up at. What’s weird though is that soon a strange door appears at their basement that wasn’t there before. It takes them some time to open it and they’ll wish they never had. Terror and fear in this creepy fuck written by Nick Antosca and directed by E.L. Katz, which is easily the best season of the series so far. Featuring a hideous clown that is as good with acrobatics as he is with murdering and that may or may not be real, along with the acting services of terror film legend Barbara Crampton, this is one that should not be missed.

Black Mirror - Season 4
Creator Charlie Brooker’s masterful 4th season of Black Mirror (2011 – present) proves once again that what we have here is the Twilight Zone for the millennial generation. ‘USS Callister’ is about Robert Daly (Jesse Plemons) who by using D.N.A. sample drags his colleagues to a digital world where he’s the boss and bully. ‘Arkangel’, directed by Jodie Foster, is about the titular company that is implanting chips to our kids’ heads in order for our god-like presence to control them at all times. ‘Crocodile’ is about Mia Nolan (the gorgeous Andrea Riseborough) who commits a series of murders out of necessity, but the emerging surveillance technology may be on her tail. ‘Hang the DJ’ is basically a love story set in the world of a match-making program; it is a favorite episode amongst fans, but I found it boring. ‘Metalhead’ is about a robot dog that hunts a woman. ‘Black Museum’ is an anthology episode and it works surprisingly well.

Creator Jonathan E. Steinberg’s 2nd season of Human Target (2010 – 2011) explores further adventures of bodyguard-for-hire Christopher Chance (Mark Valley) and his sidekicks, and is even more formulaic than its sophomore outing, albeit a bit more watchable due to that factor, featuring several action stunts (including fights, explosions, and shootouts) as well the mandatory attractive women that is the staple in such supposedly ‘cool’ fare. The ‘Dead Head’ episode employs Motorhead’s famous ‘Ace of Spades’ tune. ‘The Other Side of the Mall’ episode employs Joey Ramone’s ‘What a Wonderful World’ cover. The overall excellent ‘Kill Bob’ episode employs The Prodigy’s ‘Breathe’.

Chilling Adventures of Sabrina - Season 1
While watching the 1st season of Chilling Adventures of Sabrina (2018 – present) I had constant debates with my wife on whether the series are pro-Satan (my opinion) or feminist (her opinion), but now that I write those lines I think that we might be both very right. Based upon the famous Archie comics, this is about the titular teenage semi-witch (Kiernan Shipka), who finds herself involved in all sorts of Gothic adventures that are reminiscent of the best works of Tim Burton (yeah, those from the 1990s). The soundtrack is amazing too, and includes classics such as Blondie’s ‘Atomic’, The Ronette’s ‘Be My Baby’, and Velvet Underground’s ‘Venus in Furs’.

Masters of Science Fiction - Season 1
The 1st (and sole) season of Masters of Science Fiction (2007) is hosted by Professor Stephen Hawking and consists of 6 anthology episodes. ‘A Clean Escape’ is based upon a short story by John Kessel (adapted for the screen by Sam Egan and directed by Mark Rydell, and it is set in a post-apocalypse world while it focuses in the weird relationship between a psychiatrist (Judy Davis) and her patient (Sam Waterston). ‘The Awakening’ is about an alien invasion and it is featuring Terry O’Quinn and William B. Davis. ‘Jerry was a Man’ is based upon a short story by Robert A. Heinlein (adapted for the screen by Michael Tolkin, who also directed) and is about a trial that will determine whether a robot with human D.N.A. is a person or a thing; Malcolm McDowell plays the robot’s creator. ‘Little Brother’ is about a Kafka-like trial set in outer space; starring John Hurt. ‘Watchbird’ is set in a futuristic world in which drones that resemble small spaceships prevent killings with their laser guns. ‘The Discarded’ is based upon a short story by Harlan Ellison (adapted for the screen by him and John Olson, and directed by Jonathan Frakes) and it is about alien misfits; starring John Hurt.

Blade: The Series - Season 1
Created by David S. Goyer, the 1st (and sole) season of Blade: The Series (2006) is about the titular Marvel semi-vampire (played by rapper Sticky Fingaz) that hunts bad vampires, and it consists of 12 episodes, the first of which is of feature length. The series are nowhere near as good as the feature that inspired them, but still very enjoyable viewing fare. The final battle is quite epic too. Bear in mind though that the show is particularly gory and is also featuring the occasional glimpse of a boob, so you may not want your kids to see it.

Also created by David S. Goyer (and Daniel Cerone), the 1st (and sole) season of Constantine (2014 – 2015) is about the adventures of the titular British antihero-like exorcist (Matt Ryan) who has to face a variety of demons. I didn’t like the feature film that spawned these series, so I don’t know why I signed up for this, but I quite liked it (the special effects in particular, are amazing) and it is even somewhat scary at places (it mostly resembles a modern horror film, rather than a superhero one, despite it being a DC Comics production). It’s fun seeing all these church lunatics going berserk with devil possessions and all. Renowned director Neil Marshall directs two episodes.

Shootouts and car crashes are aplenty in the 1st season of Taken (2017 – 2018), an actioner created by Luc Besson and Alexander Cary, based upon the same-titled hit film from 2008. The story here concerns ex-CIA agent Bryan Mills (Clive Standen) whose sister is killed and he is now out for revenge. In the meanwhile he will undertake several other cases, ranging from Islamic terrorism suspects to convicted serial killers. It is overall much better than I was expecting it to be.

Jessica Jones - Season 3
The ultra-gorgeous and as powerful titular hero (Krysten Ritter) of Jessica Jones (2015 – 2019) returns in the series’ 3rd and final season, in which she will search for Trish Walker (Rachel Taylor) who has gone missing, amidst a perfect neo-noir backdrop. Once she is found (in the second episode, or so), it becomes apparent that all she really want despite her lousy job as a television saleswoman, is to re-connect with her sister, and in order to do that she will go as far as to become a super-hero of sorts herself. The problem really arises when the mighty duo will have to team against demented serial killer Gregory Sallinger (an excellent Jeremy Bobb). This is Marvel’s best series so far, and it is a pity it got cancelled.

The 2nd season of Westworld (2016 – present) takes us back to the titular western movie-like amusement park in which human visitors have fun at the expense of human-like robots. This season starts from where the previous one left, namely the rebellion of the robots, and how the humans try via the aid of armed soldiers to restore the supposed order. Nowhere near as entertaining as the first season, this is one of those shows that are intelligent enough to make you think about big questions in regard to life and control, but it just not too much fun as a sci-fi vehicle. Being as philosophical as these series are, expectedly they offer more questions than answers. The movies were very exciting, this show not so much. J.J. Abrams is one of the executive producers and the cast is stellar (Jeffrey Wright and Ed Harris return and they are particularly outstanding).


Stranger Things - Season 3
It is impossible to say anything about creators Duffer brothers’ 3rd season of Stranger Things (2016 – present) without revealing any spoilers, so since I am convinced that pretty much everybody will sooner or later catch up with Netflix’s best show yet, I will say nothing about its plot. Set in the mid-1980s and with cultural references to boot (from awesome music to amazing toys and from ancient household devises to obsolete cars) this a retro movie fan’s wet dream, although it also comes with several cool monsters (the CGI are much better this time around), essentially creating an unmatched entertainment event. Event series such as these should be better with each season and this one achieves just that by being the best one yet. And yes, Winona Ryder is still the most attractive woman in the universe. Highly recommended.

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June 1, 2019

Static Age #4

Jack Torrance (Steve Weber) in a frame from Mick Garris' The Shining (1997)
As nowadays I resort more and more to streaming rather than physical media, I decided to accompany the text mostly with relevant art and posters, rather than DVD and BD box-art, and I hope you enjoy!

The Shining (1997) DVD box art.
This Static Age’s spotlight goes to The Shining (1997) which is about recovering alcoholic writer Jack Torrance (Steven Weber) who moves temporarily with his wife (Rebecca De Mornay) and son (Wil Horneff) to an abandoned hotel in order to find inspiration for his next novel. However, what he finds is his personal demons that drive him mad as he becomes more and more dangerous for himself and his family. Based upon Stephen King’s legendary same-titled novel, this consists of 3 feature length episodes that were directed by his go-to guy Mick Garris, and they may be much more faithful to the source material than you-know which classic, but they’re not anywhere near as exciting.

I also caught up with the following recent shows…

Created and written by Nick Antosca, and based upon the ‘Search and Rescue’ story by Kerry Hammond, the 3nd season of Channel Zero (2016 – present) is about young woman Alice Woods (Olivia Luccardi) who just moved into a small American town in which people disappear during a series of happenings that may all be due to the superficial presence of some mysterious staircases. Starring Rutger Hauer, and featuring Riz Ortolani’s theme song from Cannibal Holocaust (1980), SyFy’s original terror series are offering one more winner season.

Black Mirror - Season 3
The 3rd season of Black Mirror (2011 – present) anthological series is offering three more horror stories/episodes inspired by the dangers of technology. The first episode, ‘Nosedive’ is about a gorgeous woman (Bryce Dallas Howard) who wants to increase her social media rating and popularity and in order to achieve that she is forcing herself into a fake world of likability and pretensions, so terrifying in fact, that it may ultimately destroy her, in what has to be one of the series’ most intimidating stories, due to the fact that we’re not actually too far away from becoming the world it depicts. ‘Playtest’ is about American traveller Cooper Redfield (Wyatt Russell), who ends up penniless in England, where he takes a job as a game tester, only to find out that his worse fears will come to life and then some. ‘Shut Up and Dance’ is about several seemingly random people that get cyber-bullied into a scheme during which they would have to complete several tasks (as ordered by an unknown messenger on their mobile phones) if they want their secrets to remain secret. ‘San Junipero’ is an interracial lesbian love story, and I can only wish it would have been better, because as it is, it is the weakest entry in this season. ‘Men Against Fire’ is about soldiers fighting against some creatures called roaches (resembling a cross between vampires and zombies) and it is as awesome as it sounds. ‘Hated in the Nation’ is a feature-length masterpiece about an online game the hashtag of which allows you to vote for the public figure you would like to see dying next, and afterwards it employs technologically enhanced bees to do the dirty work.

Agents of S.H.I.E.L.D. - Season 5
The 5th season of Agents of S.H.I.E.L.D. (2013 – present) kicks-off with a double episode in which the titular heroes find themselves entrapped in a spaceship in outer space, and from then on a variety of adventures ensue, in what has to be the darker season of the series so far and for that we should be thankful. Jemma Simmons (Elizabeth Henstridge) is a nerdy doll, as always. Plus, the season finale is so spectacular that would be worthy enough of a Marvel movie.

Powerless - Season 1
Created by Ben Queen, the 1st season of DC’s Powerless (2017) is set in a world where superheroes and super-criminals leave a lot of collateral damage behind them, and a company on the verge of bankruptcy is offering protection and prevention solutions, when young and ambitious Emily Locke (Vanessa Hudgens) is hired in a top managerial position with dreams of changing the viability of the company, the behavior of the stuff, and maybe the world itself. This satire of superhero movies comes at the right time as the market is literally saturated by them (even if the only real competitors are the Marvel and DC properties), but its low budget, short running time, awful CGI, caricature characters (the stupid boss, the moody secretary, the funny black guy, the funny Indian guy, etc.), and standard jokes doomed it into failure, and it was canceled after this, its initial season. This is a throwback to awful 1990s television and we didn’t really need one. Adam West makes a very welcome cameo though.

Human Target - Season 1
Created by Jonathan E. Steinberg, the 1st season of DC’s Human Target (2010 – 2011) is about undercover bodyguard Christopher Chance (Mark Valley), who is assigned undercover to the most dangerous cases, involving breathtaking stunts. This is an all-around enjoyable action show that never fails to captivate its audience. McG was an executive producer. The show’s finale (an origin story of sorts, really) included a guest appearance by Armand Assante, but many other episodes benefit from guest appearances as well, by stars such as Lennie James, Mitch Pileggi, and William B. Davis.

The Day of the Triffids - Season 1
Based upon the same-titled Sci-Fi book, The Day of the Triffids (2009), directed by Nick Copus, is about a planetary event that blinds most of the Earth’s population, while in the meantime, the large and dangerous titular carnivorous plants escape from their facilities and prey among the human living. Radio producer/journalist Jo Playton (Joely Richardson) and Dr. Bill Masen (Dougray Scott) come to the rescue, but will they make it in this post-apocalyptic world? This television event (two feature length episodes) may be a bit rough around the edges (for example the CGI are really poor), but it is still captivating entertainment for fans of fantastic cinema. Although not exactly a masterful update, it thankfully comes with some clever casting choices (Brian Cox and Jason Priestley, for example).

But I also caught up with a few mainstream films as well…

Glass (2019) bored me to tears, and although it is not the only M. Night Shyamalan film that did so, it was the first Blumhouse Productions fare to achieve that, and I just hope the two don’t work together again. Sure, Samuel L. Jackson and Bruce Willis deliver winner performances, but right now they are both at their top of the game and they do this sort of thing in pretty much every film with which they are involved, so this cannot be enough of a reason for you to watch this. As far as superhero movies go, this is pretentious and formulaic, and you should pass.

Happy Death Day 2U (2019)
Blumhouse Production’s Happy Death Day 2U (2019), directed by Christopher Landon, returns to the original’s formula (albeit, a very original one at that), as we once again see the university’s promiscuous girl (the absolutely gorgeous Jessica Rothe) and her scientist nerd friends, trapped in another time loop, in which they will die several times, until the figure out a way to escape death once and for all. Combining comedy, commercial cinematography, and all around Americanisms, this is a joy to watch, as it is both quite unique within the slasher genre, and entertaining too.

Marvel’s Captain Marvel (2019) directed by Anna Boden and Ryan Fleck, is about the titular superhero (the gorgeous Brie Larson), who as she finds her own powers has to fight her ex-trainer and super-villain Yon-Rogg (Jude Law) and a horde of evil green aliens that resemble Nosferatu the vampire. Set for the most part in the 1990s, this is full of fun references to that decade, both technological (I really didn’t miss the computers of that era) and cultural (I really missed Garbage and Nine Inch Nails). The film’s build-up is very slow and boring, but the ending is quite satisfying. Oh, and Samuel L. Jackson is in it for a lot of its running time, instead of doing just his usual cameo.

Master of the Flying Guillotine (1976)
And when I get bored by the mainstream stuff I catch up with (on those rare occasions that I do catch up with them, that is), I quickly resort back to exploitation favorites, and this time my relief was found in writer/director Jimmy Wang Yu’s unsurpassable Master of the Flying Guillotine (1976), a masterwork of martial arts, featuring a flying guillotine master against an one-armed boxer! This is grindhouse gold, and you should watch it immediately, in the unlikely case that you have not already done so.

And finally, I enriched my bookshelf with the following books…

Roberto Curti’s Riccardo Freda: The Life and Works of a Born Filmmaker (2017, McFarland) is an excellent and lengthy study of the Italian genre film maestro’s life and career, taking us from film to film and featuring critical analysis as well as interview excerpts from interviews with several of the master’s collaborators. Although I am not a big fan of Freda’s work (I only enjoy an occasional title of his, or two), Curti’s book is the definite authority on the subject, it leaves no stone unturned, and as such it should not be missed.


Roberto Curti’s Mavericks of Italian Cinema: Eight Unorthodox Filmmakers, 1940s – 2000s (2018, McFarland), is featuring eight essays on as many obscure filmmakers, including Pier Carpi, Alberto Cavallone, Riccardo Ghione, Giulio Questi, Brunello Rondi, Paolo Spinola, Augusto Tretti, and Nello Vegezzi. Packed with information, but also maintaining an entertaining narrative throughout, this is the acclaimed author’s best work to date, and will remain so until he tops it with his next volume.

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