We continue our journey through interracial sex in the movies, and this time we’ll take a look at films from 1976. Not all films included here are pornographic, but they had to have at least one interracial sex scene in order to qualify. For this chapter I wrote about plenty of golden age porn [a couple featuring John Holmes], a horror/porn hybrid, a musical/porn hybrid, a Martin Scorsese masterpiece, and more. So, enjoy!
The beginning credits’ sketches bring to mind the sleaze paperbacks
of the era. This film was directed by Howard Ziehm.
The first
scene consists of a girl and a guy having sex in the morning. A bit later the
girl leaves, inserts a vibrator in her vagina and takes a ride with a taxi. The
taxi driver thinks that there’s something wrong with his fare meter, but in reality
he’s listening to the noisy vibrator.
The second
sex scene happens between an M.I.L.F. and a young guy. And the third scene is a
lesbian one.
Out in the
woods, two friends see a married woman, one of them says “Watch what you’re
doing” and the other replies “I’d like to do what I’m watching”, and so they
decide to do her. She’s open for some double penetration and she’s the hottest
person in this movie [Terri Hall].
In the fourth scene, two journalists (one guy
and one girl) fuck in the office. The last scene is a BDSM one, in which a
white girl is used by a black guy and another white girl. There are many toys
used in this one, such as a vibrator, nipple clips, and chains.
A bunch of people go to the title’s location. First we see a female
photographer shooting pictures of a naked girl with unsaved armpits before they
give in to some hot lesbian sex. This is interrupted when a man with a machete
comes (he wears a yellow balaclava with the word “love” written on top of it)
and joins in. After he is satisfied he kills the model, while the photographer
escapes.
The escapee finds her mother and brother but soon the killer
captures all three of them and forces mom and son into some incestuous sex. The
main girl escapes again, and finds a black man tied-up. She unties him, but
soon the killer with the blue eyes (or maybe they’re green, I’m not sure, the
quality of my copy is shit) forces them into some interracial sex.
Finally the murderer kills the black man with an axe and is left
alone with mother and daughter. When they are forced to suck him, the daughter
grabs the machete and the flick ends.
Utilizing music from Psycho
(1960), this porn/horror hybrid by director Lee Cooper
is a masterpiece in my book.
Taxi Driver (1976)
Director Martin
Scorsese’s film kicks off with epic trademark shots of a taxi
driving through foggy New York whilst Bernard Herrmann’s music is perfect. And
even the voice-over that follows works. I believe Scorsese is the only director
employing this technique while making good movies.
Travis Bickle
[Robert De Niro] is 26 and can’t sleep at nights, he tried all sorts of things to kill
the early hours without success. Now he applies for a job as a taxi driver [to Joe Spinell, no less] because he might as well get paid for staying
up late. But, he despises people of the night. He’s weird, and he almost gets
in trouble for chatting up with a theatre’s clerk.
Travis will soon develop an interest for a
classy girl [Cybill
Shepherd] who works for the presidential campaign of Charles
Palantine [Leonard Harris]. She seems interested in him, but he
becomes obsessed. They date a bit, but the thing is over once he takes her to a
grindhouse cinema (that explains a lot). On the theatre’s screen, and for only
a second, we see an orgy with many white bodies and a black girl.
A little bit
before that, Travis meets underage prostitute Iris [Jodie Foster].
Late at night, Travis gets a passenger [Martin Scorsese]. Said passenger asks him to stop in
front of building and shows him a window. He tells us that this is a black
guy’s apartment and we see his wife (in silhouette) whom we assume is white.
Anyway,
Travis decides to buy a collection of guns, and soon he shoots a robber. Soon
he meets Iris’ pimp [Harvey Keitel] and is disgusted, because said scumbag
proudly states that the poor thing is only 12 years old. It is oxymoron though that
Travis wants to clean up the streets while attending seedy porn theatres.
This is
essentially two movies combined in one. On the one hand we get this unfulfilled
love story between Shepherd and De Niro, and on the other hand his vigilante
story in which he’s on an armed mission. And there’s some political commentary
thrown in for good measure. But I believe most of you have seen this already.
“Are you talking to me?”
Midnight Desires (1976)
Four friends (2 guys and 2 girls) gather in a resort and play a game
in which each one of them has to share his/her favourite sexual fantasy, which
is very convenient for a porn movie.
In the first
story, the narrator girl is handcuffed and locked in a white room. That is,
until the door opens and she finds herself in the middle of a weird religious
ceremony in which she gets punished. She gets whipped and fucked.
In the second
story, one of the guys who is a foot fetishist participate in a threesome with
a girl and a prostitute. Said prostitute fucks him with a strap-on in the ass
while he fucks the girl.
In the third
story, the other guy is a boxer and because he’s annoyed by a mob character, he
fucks his girlfriend [Vanessa del Rio] with his friends in the locker room.
The fourth
story is a costume drama orgy (there’s really no better way to describe it).
Adult movie
auteur Shaun Costello edited, produced, wrote and directed this, and the acting
is excellent (I am not joking) and the locations are superb.
The Night of Submission (1976)
We see the beginning’s credits in flames. One thing I like about
classic porn is the unique credit sequences. Anyway, a voice-over talks a bit
about voodoo and tells us how ignorant we are on the subject. Then the film
cuts straight to hardcore sex.
The movie starts properly a bit later, with a BDSM ceremony,
involving a tied-up girl. In the meanwhile a photographer is secretly taking
pictures for an assignment. An orgy follows. The leader is a black guy, but
every other participant is white, including a girl with a pentagram tattooed on
her ass.
In the meanwhile, the film’s male journalist says that he’d
participate in such acts with his wife. “My wife is one bitch, and I’d love to
beat the shit out of her”. For his research he meets with some people in a cafe
but he’s not interested in Anton LaVey’s book. Vanessa del Rio is a waitress there and soon ends up
with a cock in her mouth.
Anyway, back
to more ceremonial stuff with plenty of sex, and once this is over, we see the
journalist saying how he typed 200 pages on the film’s subject, yet when his
girlfriend gets hold of them the pages are blank!
You see, Joe Davian’s
film ticks many boxes, but fails to entertain.
Alice in Wonderland: An X-Rated Musical Fantasy (1976)
I didn’t like
Tim Burton’s film, and I haven’t read the book, so I decided to take a chance
with the Alice of the anything-goes ‘70s...
Alice [sexy
beyond words Kristine DeBell] works in a bookstore (which has a
Greek flag hanging on the wall for no apparent reason) and won’t have sex with
her boyfriend William [Ron Nelson].
Soon she will meet a rabbit [Larry Gelman in costume] and she’ll follow him through
a mirror (yes, the special effects are good). She will then drink something and
become small and jump into the Wonderland dimension.
Soon Alice
will meet more animals (again, people in costumes) and here comes the first
erotic scene: the animals will lick her (I repeat, this is not a bestiality
picture, but actors in costumes). Once she’s dry she’ll go somewhere quiet to
masturbate. A bit later she’ll meet Mad Hatter [Alan Novak] and she’ll give him head.
Alice will
witness some lesbian sex and then she’ll give a desperate animal a hard-on
(again, a man in costume, you pervert). Now she gets really into watching and
she sees one more couple having sex. And then she will see a white girl riding
a black knight.
As it was
expected we get to see an orgy for the ending, in which the King of Hearts [John Lawrence] is black and every other participant is
white. Alice escapes wonderland when she jumps into a river (the underwater
shots are excellent). Once she’s back to the “real” world she decides to lose
her virginity to her boyfriend and they live happily ever after.
Now, as the
title suggests, the film is full of singing and dancing (the choreography is
average, but the songs are very good) and the whole thing works great as a
musical, because everything the actors sing about (especially Alice) is adding
depth to the characters they are playing and moves the story forward. I can’t
believe I’m writing this for a ‘70s adult film, but it is actually a well-made
and expensive-looking musical.
Bud Townsend
[Nightmare in Wax (1969)] directed
this, and most of the shots are great [Joseph Bardo was the cinematographer].
The set design is a bit stagy, but overall brilliant. This film sets the
standards pretty high.
Female Chauvinists (1976)
This adult film was directed by Jay Jackson
and is a sexist satire of the feminist movement. It is also very boring and not
funny at all.
For starters,
the feminists won’t let a transsexual join their demonstrations. But the film
really kicks off when a girl with enormous tits has sex with a guy while a
photographer is taking pictures of them, soon he will convince her to join the
movement. “They are just women; they need a man to straighten them up”.
On with the
show, women are using bottles as sex toys and one of them says that she became
a lesbian because her father raped her when she was young.
Anyway,
there’s loads of interracial sex in this one, mainly between a black girl and
several white performers. GOD IS A FEMALE.
Love Slaves (1976)
In a seedy
warehouse (with its walls painted white) two men with tuxedos drug girls and
turn them into sex objects. They also train them to become killers on command,
but who would want to employ (in any capacity) caged zombies is not clear.
There is a
cop [John Leslie] investigating the case, but soon his
sister Karen [Tanya Shea] is captured by the underground and she will
perform lesbian sex with a hot blonde. But before becoming a love slave, we see
Karen reading the Playgirl magazine and masturbating, which is a great little
cultural reference.
The sole
interracial sex scene of interest happens when a black female captive is having
sex with a white mannequin and then moves on to a white guy. But the best thing
about this movie is a couple of close-up shots of the main villain wearing
sunglasses which reflect the victim he’s addressing (yes, really creepy).
Guns, drugs,
prostitution, hypnotism, this is a film for the whole family (that is, if your
family is totally depraved). As I watching this adult film directed by Bob Chinn,
the lyrics from Magazine’s Permafrost song came to mind: “I will drug you and
fuck you / on the permafrost”.
The Girls in the Band (1976)
It is the New Year’s Eve and in the middle of a huge parade a sleazy
reporter is asking annoying questions to young hippies. Some people in the
background wave towards the camera seemingly unaware that the footage will end
up in an adult film written and directed by Andrea Scott.
The film
properly starts with a couple having sex (the guy cums in close-up and while we
see the TV in the background in some sort of weird parody moment), but gets
interesting once another couple is mixing food with pleasure as in placing
fruits and cream on the dick for a tasty blowjob. The editing [by Wilfred
Candour] goes back and forth which is really annoying.
John Holmes receives a double blowjob, and another guy
has his way with two girls as well. The first scene of interest happens between
a white girl and a moustached black guy. The second scene of interest happens
between another white girl and a black guy with a funny ring. Said couple will
be joined by the sleazy reporter for a threesome, and that’s how the film ends.
Souperman (1976)
It’s great
seeing porn legend Marc Stevens [Devil
in Miss Jones (1973)] starring in the title role, wearing red converse
shoes, red cape and blue underwear and running around the metropolis. The
funniest moment is when he waits for a guy to finish his call in order to
change clothes in the phone booth. But there are many good jokes in this
super-hero parody.
Anyway, the
thing is that the antagonist, super-villain Luther [Roger Caine from Martin
(1976)] has developed a secret formula with which he will try to stop people
from having sex. We learn that from Souperman, he says so in a TV interview he
gives to Fred Lincoln. Yes, Mr. Lincoln, the star from The Last House on the Left (1972), wrote, produced, and directed this adult film.
There are two interracial sex scenes of interest and they are both
orgies. The first one happens between two white females, a white male and a
black female, while the second one happens between four white girls, Luther and
a black female (Souperman joins a bit later).
Another scene I liked was when a girl wore candy panties in order to
make pussy-licking more attractive to her partner.
“KREMLIN
SISTERS FILM DYNASTY IN ASSOCIATION WITH NOBODY IN PARTICULAR PROUDLY PRESENTS”,
with a title card like that you think that you’re in for something special, but
this is not the case with this film directed by Stu Segall
[Drive In Massacre (1977)].
This is a
boring collage of standard sex scenes starring known porn faces [such as Annette Haven]
while dressed in period costumes and talking about historical nonsense.
Certainly not the kind of information one would like to receive from his porn.
The sole
interracial sex scene of interest happens between Captain John Smith [John Holmes]
and a black girl (“He wanted women like his coffee: hot and black”).
Girl Scout Cookies (1976)
Two white
prostitutes (one blonde and one brunette) talk about how the mayor is after
crime and how they can’t work on the streets anymore because everybody out
there is a cop. Soon they will be joined by a black client who’ll have his way
with them (ass licking is included).
Once the sex
scene is over, the blonde prostitute buys four boxes of cookies and gets an
idea: to sell cookies along with her body. She soon gets her first customer,
but the thing is, he already has a girl tied-up in his apartment (one with a
pentagram tattooed on her ass). So they have a threesome (some whipping
included).
In the
meanwhile, the other prostitute is getting arrested on the street, but the two
cops will give her a “break” by having a threesome with her. Double blowjob is
included, and the in the end the guys cum on each other’s cocks (homophobic
people beware).
Shaun
Costello’s film ends conveniently with an orgy, in which most of the film’s
actors and actresses participate. “Take this black candy-bar”.
Bang Bang You Got It!
(1976)
This adult
film from director Chuck Vincent is really a television satire. There is a
pre-credits radio announcement about a serial rapist who escaped a clinic for
the criminally insane, but we hear nothing about this plot throughout the rest
of the movie. The funniest thing about this movie is the beginning’s credits,
as we don’t see titles but we listen to a voice-over explaining who did what
accompanied with funny images such as a set collapsing when the name of the art
director is announced.
The rest of
the movie is a compilation of small episodes: 1st a phone sex scene,
2nd making fun of Bulgarian blowjobs (I really didn’t get this one),
3rd a short gay joke, 4th a story of a black girl having
her way with three white “dykes”, 5th some puppets narrating a story
which ends as an orgy. Here the film is interrupted for a stupid fake
commercial. And on with the show: 6th making fun of doctor shows, 7th
a psychiatrist story, 8th a couple simply having sex, 9th
TV panel parody, 10th Red Riding Hood parody (this is in my opinion
the funniest sketch), 11th people with body painting engage in a
funny conversation, 12th a bunch of women rape a man, 13th
the TV panel again (“Do you get off on dead people?”).
In this adult
film, people audition in order to get a part in a sex documentary based on
their most intimate fantasies. I don’t know if this was the intention or not,
but most of the guys look pathetic and most of the girls are gorgeous. There
are two interracial sex scenes of interest and they are very similar to each
other: they are both orgies (one early on and the other as the final scene) and
both are featuring the same black man and a bunch of white performers.
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