By Hal Astell
Dr Kim Do-il and his wife Choi Mi-sook are apparently unable to have children, so they decide to adopt. Actually Mi-sook takes some convincing but when she sees some artwork on the wall of the adoption agency they visit, she's all for it and quickly finds an affinity with young Lee Jin-sung, soon to be Kim Jin-sung. He's quite the budding artist and he has an affinity of his own: with trees. He draws them all the time and even seems to talk to them, including one in the back yard. Soon we discover that he's an orphan because his mother died and Jin-sung believes she turned into a tree.
Things seem to go pretty well for a while, though Mi-sook's mother is rather brutal in her rejection of the adopted son, but then Mi-sook becomes pregnant for real so there's a new member of the household. To say the least, Jin-sung does not take this well and does what he can to remedy the situation. Given that this is a horror film, albeit of the school of slow and creepy rather than rapid fire grossout, you can imagine what that means. And then he disappears and as even more bizarre things start to happen the strain begins to have an effect on those he leaves behind.
