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June 29, 2025

Let Us In (2022) Movie Review

 


In October 2024, I believe I met the writer/director of an indie horror flick that was filmed right here in Michigan. I said I’d be happy to review it for CHC and now, nearly nine months later, I’m finally getting around to it.

I am so sorry I’m a lazy asshole, Anthony!

Anyway, let’s get to it! I’ll try not to spoil anything as it’s a relatively new film and someone out there might not have had the chance to see it yet.

Personally, that might be for the best…

Let Us In is basically some kind of zombie film that takes place in the middle of petty squabbles between rival motorcycle gangs. The film jumps around a lot between the gang members, some guy hiding out in NOT his house with a sick wife, a random dude whose car breaks down, and some chick who…I don’t even know her fucking issue.

Their storylines eventually cross, leaving a lot of blood and violence on the front lawn for the hazmat team to clean up.

That’s about it. There’s not a lot of depth going on in this movie. I admit Anthony tried to make a more interesting flick than just your standard zombie trope-filled celluloid. It could have worked if the sound was even, or if the acting was better, or the special effects looked more convincing, or it made any sense at all.

The story arc jumping was too much. Each character group/story had about two minutes of screen time – if we were lucky – before switching to another. It’s mostly difficult to keep track of the story because the audio is absolute GARBAGE. Maybe that’s why the opening title screen says, “This film should be played LOUD!”

Fuck my life…

The “special f/x” are pretty bad, which is not uncommon for indie horror. But when the neck flap of the mask is clearly visible on the zombie, and there aren’t more guts on a victim after a chainsaw attack, it makes it a little difficult to become immersed in the action.

But I have to say the most implausible scene that really pissed me off was a character with a SHOTGUN acquiesced to a character with a CHAINSAW who threatened to saw off their hands if they didn’t put the gun down. I mean, what the actual fuck? He’s standing two feet away from you. Blow that fucking asshole’s head off and move on.

*ahem*

Anyway…

It’s not a total loss here. The film is only 57 minutes, which helps a great deal, even if some of it feels like filler to pad the run time. And while character development was obviously not a priority here (the biker chick, Meg, was introduced via her bare tits and I don’t think she had any dialogue at all) the character of Chris is actually kinda fun. He’s got a fight scene with a zombie that pretty fucking cool. I’m not sure if he’s supposed to be some kind of bad ass or former Green Beret but I’d believe it if that was the explanation for his bad-assery.

Also some of the cinematography is great. Many of the shots needed to convey that sense of emptiness that comes with a global infectious event and this flick delivered where needed.

They did put out a goofy gimmick with the movie, a la William Castle. Barf bags were included inside the DVD case. I wouldn’t say this movie had that much gore in it but I get the idea behind it. Nice little throwback to the tamer days of horror presentation.

Adorbs

While I wouldn’t recommend this film at all, I won’t judge anyone who’d like to support Anthony and any of his future projects. I think there’s a lot of potential there. Maybe not the next Tarantino or Roth, but it might be fun to see where he goes from here.

 

1 hatchet (out of 5)


I have no links or site where you can get this flick so if you're really interested, maybe email or call Anthony!



 


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June 1, 2025

A Binge too Far #52: Report from the 10th Horrorant International Film Festival - Fright Nights


The 10th Horrorant International Film Festival – ‘Fright Nights’ that primarily took place at the prestigious Elize theater of Athens, was a great success on all fronts, including the quality of the program that this year focused on Asian horror and the many filmmakers that visited Greece in order to provide generous Q&A sessions with the audience. Unfortunately, due to my busy schedule I was able to attend only a few screenings, and here are my brief thoughts on them.

 

Play Dead (2025)

 

Alison (Paula Brasca) awakens in a dark basement among a handful of dead women, when she realizes that a masked maniac is lurking in the surroundings. She decides to play dead (as per the title) until she can think of an escape plan. Hailing from Spain, but efficiently dubbed in English, this slasher directed by Carlos Goitia [Horrorant had previously screened his The 100 Candles Game: The Last Possession (2023)] may be a bit formulaic and even feel dated at times – it is echoing several classics from Saw (2004) to The Texas Chain Saw Massacre (1974) – but where it lacks in inspiration, it delivers on execution, resulting in an utterly enjoyable experience, so much that I can’t remember since when I was that enthusiastic for a serial killer picture.

 

Dead by Dawn (2025)

 

A proposed high-art stage play assembles a group of actors in the villa of a mysterious and wealthy family that is rumored to practice the occult, when a serial killer is stalking them on the grounds, and is killing them one-by-one with a variety of creative ways.

 

Hailing from Poland, writer/director Dawid Torrone’s debut may sound like your standard slasher, but it is very far removed from the hollow genre standards, and what it presents is a stylish manifesto for the senses, an artistically stunning work of celluloid full of nods to the best moments in Dario Argento’s body of work. Kinetic and intelligent, this benefits both from its many complicated set-ups for the camera and the choreography, as well as its brutal gore. This is a modern masterpiece that you cannot miss.

 

Deviant (2024)

 

Javier (Alain Hernandez) is suffering from boredom resulted from a thankless job and a sexless marriage, leading him to eye his daughter’s teenage friends. One day, and after pressure from a colleague, he signs in a kinky dating app and starts chatting with a girl. When a meeting is arranged in her house, Javier doesn’t find a willing lover, but rather a grotesque fat man (Fernando Albizu) and his ailing and wheelchair-bound mother (Itziar Aizpuru) who is suffering from dementia. The protagonist is soon held captive at the perverted duo’s basement and is expecting sexual torture with a variety of sex toys, after the tormentor is finished with taking care of a pedophile priest (Patxi Santamaria).

 

As writer/director Daniel M. Caneiro told us during his very entertaining Q&A session that followed the screening of this horror-comedy, his inspirations include Sam Raimi and Gene Wilder. But with brilliant – if subtle – commentary on religion, family values, and even the dangers of technology, this is much more than a simple torture film presented as a Christmas movie. It may be a bit too provocative, or sexually humorous to guarantee a larger audience, but everyone in the packed theater in which I saw it seemed to have a very good time with it.


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