The Silent Night, Deadly Night series has been a pretty formidable
franchise since the first movie debuted in 1984. The series has never been
quite near the Halloween or the Friday the 13th series in box office receipts as
most sequels went straight to video - but the killer Santa flicks accumulated a
fan base worldwide. Naturally a remake was going to happen. Sure there are some
good remakes but many of us horror geeks (especially over 30) hold our noses at
the thought our movie’s legacies being tarnished. Director Steven C. Miller
( The Aggression Scale) and writer Jayson Rothwell take the challenge with their
re-imagining Silent Night.
It's Christmas Eve and bodies seem to be piling up all over for a
small town in Wisconsin. This maniac has certain targets in mind - fornicators,
snotty kids, pornographers and lecherous priests are at the top of his list. Finding out just who is behind these brutal killings is up to a
young officer named Audrey Bradimore (Jaime King, My Bloody Valentine and Mother's Day remakes). With the help
of Sheriff Cooper (played by the incomparable, Malcolm McDowell) the duo scope out the town so the killer Santa Claus doesn't slaughter anymore victims.
The splatter flys at you in buckets during Silent Night; so much
so, I'm surprised it got an R-Rating. I ain't complaining. Silent Night is very
much a body-count slasher flick – complete with some memorable kills that try to top the last. For me, this was a welcome departure from the original film's concentration on the
abuse of the lead character who later becomes the psychotic St. Nick. The FX
are thankfully not reliant on computers Very little CGI is used, so expect some good ol'
fashion blood and guts.
The look of Silent Night is another strong point - there's a heavy
concentration on colors in some sequences that add so much to particular scenes.
The finale is an absolute hoot and really will keep you in the Christmas
spirit. Between Cinematographer Joseph White and Miller’s touch, viewers should
be pleased at how sharp the movie is visually. At times I felt like was watching an
Argento film with the smooth transition of colors. Very cool stuff! Veteran
horror FX artist, Vincent Guastini (Dogma, Thinner) and crew also deserve
credit for making some very impressive grue.
The acting is appropriate and pretty solid for a genre flick. Donal
Logue contributes some of the comic relief as an asshole Santa (who not so surprisingly is one of our red herrings). Rothwell’s script oozes plenty to the black humor and
even hits back on the original with a few scenes that are really more nods for
the fans. Silent Night was definitely created by a fan with love for the
original.
Anchor Bay has put together a few extras for the release that include
some deleted scenes and behind-the-scenes. The deleted scenes are mainly
exposition and not terribly interesting but the behind-the-scenes are fun. You
get to see some of the make-up FX as well as Miller about the set doing his
thing.
Amazingly, Silent Night is an improvement on the classic film and
easily the biggest horror surprise of 2012. Silent Night will no doubt make my
top horror films list for this year. I really didn't expect much going in so
that made this goofy, gory and nasty sleigh-ride all the more rewarding
when the final credits rolled. Highly Recommended!
Wanna hear more on Silent Night? Here's our Holiday horror themed podcast featuring Silent Night, the Silent Night, Deadly Night franchise, Elves, Santa Claws, Gremlins and more! Silent But Deadly Night.
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