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Showing posts with label Art house. Show all posts
Showing posts with label Art house. Show all posts

July 10, 2014

Movie Review: The Man Who Lies (1968; Kino Lorber/Redemption Films)

...what's that old saying?? Something about a 'tangled web one weaves, when one practices to deceive'? Consider the pathological liar: The tales rendered, often outrageous and dazzling...even manipulative...though with an element of truth, which genuinely supports the fantasique fervor of the story told. Favorable focus on the storyteller...even to the point of 'superhuman' empowerment, or an incredibly sheltered naivete; they are the hero in their tales, or perhaps the hapless, unknowing victim. The surprisingly keen ability to weave a fantastical, seemingly supportive tale, right on the spot, given the clear urgency of the situation...though, that's where that aforementioned 'tangled web' comes into play, when the story becomes so convoluted with falsehood, it begins to fray, and come unraveled. And of course, there's the motive...the 'hanging carrot' clockwork reasoning that drives the recipient listener of the complex and intricate fabrication into potentially believing the manipulative teller of the tale...

...in director Alain Robbe-Grillet's brazenly artful, enigmatic and self-telling 1968 mystery/drama, "The Man Who Lies"...a joint French/Czechoslovakian production...does the film's mysterious and manipulative protagonist, rightly fit the definition, as suggested above?? Or is there method to the ensuing madness, as enigmatically depicted in the following 'tangled web' proceedings??...

March 12, 2013

Movie Review: Bullet Collector (2012, DVD)

Review By: Rob Sibley

Sobiratel Pul aka “The Bullet Collector” is hands down the best art house movie I've seen so far in 2013. It's unlike any other art house film I've seen. The film is being compared to François Truffaut's 400 Blows which is understandable since the story itself parallels the 1959 French classic. But besides with dealing with similar issues the two films couldn't be more different. This Russian film is the first feature length film from Aleksandr Vartanov, who's only previous credit was as a co-director on a Russian sitcom.

This is an incredible debut feature film, I never would have guessed that this is Vartanov's first real time behind the camera. I should say right off the bat that this is either a love it or hate it sort of film. As with a lot of Russian films the subject matter is incredibly dark and depressing. But if you look closely enough through all the bleakness, grit and grime there is some hidden beauty to be found in this picture.