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Showing posts with label Lee Van Cleef. Show all posts
Showing posts with label Lee Van Cleef. Show all posts

August 23, 2015

Movie Review: The Young Lions (1958; 20th Century Fox/Twilight Time)

...one really has to give prolific director Edward Dmytryk a respectably just comeuppance of appreciation, as far as his ability in not pigeon-holing himself into one particular film genre. When one considers his spectrum of film productions, we're talking about seeing him dip into just about every film genre under the sun, and then some...and prove himself respectably exceptional in each and every one. An under-appreciated filmmaker by name (...an infamous 'socialist blacklist' stigma took care of that, which in itself...encompassing a rather vast number of participants...is yet another provocative Hollywood story, altogether...a tale to be later told, to be sure), his films, nonetheless spark great acclamation and appreciation by sheer mention of their eclectically varied titles, alone. A little steamy intrigue, set in a New Orleans bordello, in 1962's "Walk on the Wild Side"...the classic horror of 'ape, into woman, into ape-woman', with 1943's "Captive Wild Woman"...corruption and crime in the boxing ring, as revealed in 1940's "Golden Gloves"...cleaning up a dusty, one-horse town, plagued by gun-toting cowboy thugs, in 1959's "Warlock"...the entwining, film noir-ish mystery and intrigue, found in 1944's "Murder, My Sweet"...blackmail and terrorism, on the cusp of a fledgling computer age, in 1975's "The Human Factor"...and the ever genre-shifting list goes on, and on, and on...

August 31, 2013

Movie Review: Grand Duel (1972, DVD)

Review By: Rob Sibley

How does this sound? Directed by Giancarlo Santi who was Sergio Leone's second unit director on Good, The Bad & The Ugly and Once upon a time in the west. Written by one of the most talented and prolific Italian writers Ernesto Gastaldi. Who brought us many wrote many fine Westerns such as Day of Anger and My Name is Nobody. What might interest you is Gastaldi was more well known for writing Giallo's.

Such classics as Torso, The Case Of The Scorpions Tail, All the colors of the dark and The Case of the Bloody Iris to name a few. He also wrote the hard boiled crime classic "Kidnap Syndicate" for Fernando Di Leo. Then add in the always impressive Lee Van Cleef and you have one of the best and maybe one of the most single handily underrated spaghetti Westerns of all time! Even Quentin Tarantino used Luis EnrĂ­quez Bacalov theme for the film very effectively in Kill Bill Vol 1.


March 1, 2013

Movie Review: The Octagon (1980, Blu-ray)

Review By: Rob Sibley

Note: This Blu-ray is region B locked, you will need an all region player to view this.

Chuck Norris is a legend of action cinema and maybe action movies biggest joke. Go online and you can find thousands upon thousands of “Chuck Norris facts” that all are indeed quite funny. The humor is even acknowledged in Chuck's brief appearance in Expendables II. But let's face the facts, Chuck was never much of an actor. He's one helluva martial artist, the real deal. So that makes up for his lack of acting chops. But you don't watch a Chuck Norris movie for his thespian skills, you watch one for all the ass kickery that is going to be contained in the films 90 minute run time.

The plot itself is rather convoluted and headache inducing at times. Norris plays Scott James a man haunted by memories and flashbacks during both his waking and sleeping hours. The first is a childhood memory relating to his intense ninja training as a child. The second is a recollection of loss, one that has turned Scott away from his former life. But a wealthy heiress (is there any other kind?) convinces him to enter the fray once more. Scott finds himself dragged into an international terrorist group “The Octagon” consisting of ninjas (always a good thing) and a not so friendly face from Chuck's past.

April 7, 2011

Movie Review: Kansas City Confidential (1952)

Here is a welcome addition to my DVD collection from HD Cinema Classics: an HD re-master of Phil Karlson’s taught and tough late noir, KANSAS CITY CONFIDENTIAL. Coming at the end of the noir cycle, it is one of several tough-minded pictures of the early to mid fifties with the word “Confidential” in the title. Although I am fond of Jack Arnold’s HIGH SCHOOL CONFIDENTIAL, I think it’s fair to say this is the best of them. It is full of surprises, edgy brutality and moral ambiguities. It deserves to be better known than it is, which is why this new release is so very welcome.

Buy Kansas City Confidential on DVD
 
Karlson was a work-a-day director of Hollywood programmers who always brought some honesty and style to his work. I suppose he is most know today for the best of the “good ol’ boy” revenge movies, WALKING TALL. But he was also responsible for Dean Martin’s THE SILENCERS, the memorable ALEXANDER THE GREAT television pilot with William Shatner, and KID GALAHAD, with Elvis Presley. In his early career he directed several hard-hitting crime dramas like the excellent THE PHOENIX CITY STORY and 5 AGAINST THE HOUSE. And, although the payoff doesn’t quite satisfy on the level of its terse, nail-biting build-up, KANSAS CITY CONFIDENTIAL stands with those as among the best of Karlson’s output. In many ways it plays like an early dry-run for RESERVOIR DOGS and may well have been one of Tarantino’s influences for that masterful crime drama.