Search the Cinema Head Cheese Archives!

Showing posts with label review. Show all posts
Showing posts with label review. Show all posts

December 19, 2025

Camp Blood Christmas - Movie Review

 

So, when I heard there was a movie that brought David C. Hayes out of (acting) retirement, you bet your SWEET ASS that I was going to see it no matter the cost. Luckily for me, David is my friend, and he obviously considers me the same because he brought me a copy of it, Blu Ray no less, when it became available.




And just in time for Christmas, here is my review of the 2025 film, Camp Blood Christmas.

NOTE: I won’t be spoiling any plot points as this film LITERALLY just came out. People need to experience this film on their own terms.

The basic idea is this: a group of misfits answers a job ad for a new Santa Snow Camp, a winter excursion place for kids to enjoy winter and Santa Clause and all that crap. Aside from the delay of the food and supplies guy, Carl, everything seems to be going swimmingly. But then, Gary, the hired Santa Clause, shares the bloody massacre-prone history of the location of the new camp.

Turns out it was a regular camp at one time until there were a bunch murders committed by the Clown Killer.



Fun fact: the opening credits consist of snippets from many of the previous fourteen Camp Blood movies.

You heard me. FOUR-FUCKING-TEEN. (Depending on who you talk to, it could only be fourteen total films which means snippets from THIR-FUCKING-TEEN films fill the opening credits.)

Anyway, as you might imagine, the reason Carl never showed? Seems the Clown Killer has returned. But what you might not have imagined, is the reason WHY. Whoa, PLOT TWIST! But then you probably didn’t image ANOTHER twist on top of that. It’s like the villain neck-cracking the hero right before he can save the day!

Will anyone survive this rampage? Maybe.

Will this family camp every get off the ground? Probably not.

Will we care?



Now, we all know how indie horror films usually go, don’t we? Low budget, lackluster acting, minimal continuity, terrible editing, bad sound, ridiculous plots and their giant holes, and so on and so forth. And, generally speaking, this is consistent with those issues – except sound. This is probably the first indie film I’ve watched where I didn’t need to keep adjusting the volume throughout the whole fucking thing because the dialogue was too quiet and the effects were too loud.

Good job, guys!

But yet, other than the great sound, this films lacks a lot. Character development is minimal because honestly, I really only cared about the hitch hiking, bearded, gummy dosing happy dude, Eddie (I think that’s him). Everyone else? Eh. A lot of the jokes fell flat; the dialogue felt stilted and unnatural; and way too much time was spent filming David’s butt crack.

HOWEVER…

Quite a few of the jokes landed perfectly. I personally loved the ditzy bombshell taking nudes of “down there” with her landline phone to send to her boyfriend. The story itself is pretty fun. While I will say some of the dialogue actually tells us what’s coming, the reveals and twists felt totally unexpected. The practical effects looked good (way to go, Emily Sammons, for the design on the severed penis). And it was easy to tell everyone who worked on the movie had good chemistry. They put in a lot of effort and while not perfect, it really shows their dedication.

Matt Dilts-Williams did a great job at writing a fun and entertaining story, as well as directing the cast and crew.

So if you’re interested in seeing what’s happening in the indie scene, and wouldn’t mind taking a chance on a humorous holiday horror – and David’s butt crack – get yourself a copy of Camp Blood Christmas. Don’t forget to hang around through the ending credits. That final song is pretty dang catchy.

And have a hell of a happy holiday season!

 

3 hatchets (out of 5) 



 

   

 

 


Get books, comics, graphic novels and more at bunny17media.com. Use the code CHC at checkout for 15% off your purchase!

Follow Cinema Head Cheese:
Website: cinemaheadcheese.com
Facebook: /cinemaheadcheese
Twitter: @CinHeadCheese
Email: cinemaheadcheese@yahoo.com
Instagram: abnormalpodcast 
Pinterest: /abnormalpodcast/cinema-head-cheese/
RSS Feed: http://feeds.feedburner.com/CinemaHeadCheese
iTunes: https://itunes.apple.com/us/podcast/cinema-head-cheese-movie-reviews-news-a-podcast-and-more/id393261942?mt=2
Stitcher: http://www.stitcher.com/s?fid=18843&refid=stpr

You can support Cinema Head Cheese and Abnormal Entertainment on our Support Us page.

June 29, 2025

Let Us In (2022) Movie Review

 


In October 2024, I believe I met the writer/director of an indie horror flick that was filmed right here in Michigan. I said I’d be happy to review it for CHC and now, nearly nine months later, I’m finally getting around to it.

I am so sorry I’m a lazy asshole, Anthony!

Anyway, let’s get to it! I’ll try not to spoil anything as it’s a relatively new film and someone out there might not have had the chance to see it yet.

Personally, that might be for the best…

Let Us In is basically some kind of zombie film that takes place in the middle of petty squabbles between rival motorcycle gangs. The film jumps around a lot between the gang members, some guy hiding out in NOT his house with a sick wife, a random dude whose car breaks down, and some chick who…I don’t even know her fucking issue.

Their storylines eventually cross, leaving a lot of blood and violence on the front lawn for the hazmat team to clean up.

That’s about it. There’s not a lot of depth going on in this movie. I admit Anthony tried to make a more interesting flick than just your standard zombie trope-filled celluloid. It could have worked if the sound was even, or if the acting was better, or the special effects looked more convincing, or it made any sense at all.

The story arc jumping was too much. Each character group/story had about two minutes of screen time – if we were lucky – before switching to another. It’s mostly difficult to keep track of the story because the audio is absolute GARBAGE. Maybe that’s why the opening title screen says, “This film should be played LOUD!”

Fuck my life…

The “special f/x” are pretty bad, which is not uncommon for indie horror. But when the neck flap of the mask is clearly visible on the zombie, and there aren’t more guts on a victim after a chainsaw attack, it makes it a little difficult to become immersed in the action.

But I have to say the most implausible scene that really pissed me off was a character with a SHOTGUN acquiesced to a character with a CHAINSAW who threatened to saw off their hands if they didn’t put the gun down. I mean, what the actual fuck? He’s standing two feet away from you. Blow that fucking asshole’s head off and move on.

*ahem*

Anyway…

It’s not a total loss here. The film is only 57 minutes, which helps a great deal, even if some of it feels like filler to pad the run time. And while character development was obviously not a priority here (the biker chick, Meg, was introduced via her bare tits and I don’t think she had any dialogue at all) the character of Chris is actually kinda fun. He’s got a fight scene with a zombie that pretty fucking cool. I’m not sure if he’s supposed to be some kind of bad ass or former Green Beret but I’d believe it if that was the explanation for his bad-assery.

Also some of the cinematography is great. Many of the shots needed to convey that sense of emptiness that comes with a global infectious event and this flick delivered where needed.

They did put out a goofy gimmick with the movie, a la William Castle. Barf bags were included inside the DVD case. I wouldn’t say this movie had that much gore in it but I get the idea behind it. Nice little throwback to the tamer days of horror presentation.

Adorbs

While I wouldn’t recommend this film at all, I won’t judge anyone who’d like to support Anthony and any of his future projects. I think there’s a lot of potential there. Maybe not the next Tarantino or Roth, but it might be fun to see where he goes from here.

 

1 hatchet (out of 5)


I have no links or site where you can get this flick so if you're really interested, maybe email or call Anthony!



 


Get books, comics, graphic novels and more at bunny17media.com. Use the code CHC at checkout for 15% off your purchase!

Follow Cinema Head Cheese:
Website: cinemaheadcheese.com
Facebook: /cinemaheadcheese
Twitter: @CinHeadCheese
Email: cinemaheadcheese@yahoo.com
Instagram: abnormalpodcast 
Pinterest: /abnormalpodcast/cinema-head-cheese/
RSS Feed: http://feeds.feedburner.com/CinemaHeadCheese
iTunes: https://itunes.apple.com/us/podcast/cinema-head-cheese-movie-reviews-news-a-podcast-and-more/id393261942?mt=2
Stitcher: http://www.stitcher.com/s?fid=18843&refid=stpr

You can support Cinema Head Cheese and Abnormal Entertainment on our Support Us page.

June 7, 2024

Bathtub Shark Attack (2023) Movie Review

 

If anyone remembers, about a year ago I reviewed an indie horror movie called Spirit Animal. Brought to us by Nekroshark Films, writer/director Madeline Deering has done it again with today’s review offering, Bathtub Shark Attack.

Yes, you read that correctly.

By the time I get to the end of the review, I’m sure I’ll have figured out exactly how I feel about this flick. But for now, let’s get into some details.

The basic premise of this one is about a down-on-their-luck couple who moves into a really cheap apartment, something that seems to good to be true. And you’d be right. Because the caveat here is a creature lurking in the pipes that demands flesh and blood!

 

Pretty straight forward, right? I don’t want to spoil too much of the plot since it just came out last year. And since it’s an indie film, it might take a little longer to get distributed beyond its native Pennsylvania and Ohio where I was able to get a copy (thanks for grabbing one, Jeff, while I worked the table with David at Cinema Wasteland.)

If I remember correctly, Spirit Animal opened with the rando bartender breaking the fourth wall to tell us about the movie. Guess what? If it ain’t broke, don’t fix it because he’s back. He explains the tape; he explains the premise; and, again, he tells us about the game you have to play when watching with friends. Since the movie was shot in “Splash-o-Vision” every time a shark picture pops up on screen, shoot your fellow movie watchers with the squirt gun you got with the movie.

I watched a bit of the Indie-Go-Go promo in the Special Features section of the DVD and Madeline explains that they wanted to make the GORIEST shark film ever. I wasn’t so sure about that until we get to the final scene. But I’m not about to relive that moment so you’ll have to get the DVD and witness it yourself.


Lush just released their new Halloween bath bomb!


I have to say, there are GALLONS of blood sloshing around in this movie. There are probably a minimum of a dozen kills that involve some body part being bitten off, crushed in (with a toilet plunger no less), run through either by glass shards or projectiles. This doesn’t count the half a dozen characters who were electrocuted! And while, perhaps, the f/x weren’t super polished, I always appreciate practical rubber and corn syrup over trash CGI any day.

And Madeline certainly delivered! The blood, not the shit CGI.

The story itself is pretty standard as far as horror tropes go. Evil cult, immortal monster, virgin sacrifice, etc. And I appreciate that Madeline knows how to build a story, piece by piece, so we’re guessing what’s going to happen next (or trying to puzzle it out along the way). I’m not saying there weren’t parts I’d figured out right off the bat, but despite some general lagging in the middle, I liked the set-up, development, and climax of the story.

The one problem I had was trying to figure out when this movie is supposed to be taking place. There were a lot of nineties references (Melrose Place, the Nintendo gaming system the stoners used) but Chad references his record store job and how everyone wants cassettes now, not vinyl. Which would be the eighties. Also the woman in the beginning had a rotary phone which basically went out of fashion in the seventies and eighties…

SEE, THESE KIND OF INCONSISTENCIES DERAIL MY ENJOYMENT!

Anyway…

The character development felt a little lax but if they wanted to make this the goriest shark film ever, you’re gonna need a lot of cannon fodder and the audience can’t care about cannon fodder, amirite? While the acting was not good, I did find myself rooting for Chad and Bill the Plumber. In fact, there’s a scene between them where, after the power goes out in the building, Bill is dumbfounded by the fuse box and when Chad unintentionally sneaks up on him, they both do this pretend kung-fu dance that actually made me pause the DVD because I was laughing pretty hard.


How many times do I have to tell you NO GARLIC before lovey dovey time?


In fact, I think I did all my laughing at the scenes with Chad and Bill – not always together, though. Each character had his amusing moments. Probably the best with Bill was the epic fight scene with the cult near the end, and Chad jerking off with his right hand while he worked a Shake Weight in his left.

I do have to mention, though, for an indie horror, there was a particular LACK of titty shots. And I’m not complaining! It’s a rather tired trope so to only have a couple was rather refreshing. Hey, I get why they’re popular and why people demand them. But it was nice to see a writer/director do things a little differently for a change.

But if you want gratuitous nudity, there is an extreme close up of some lady bits at the end (again, I’m not going to describe it any more than that for reasons that will become clear if you watch the movie) and some shark dick. So…

I will spoil one thing for you. The number of times you’re supposed to squirt your friends with a water pistol (that I caught anyway): seventeen. I say turn that into a different party game and make it like going to a Japanese hibachi grill. Fill those guns with sake and the person you aim at has to drink!

So while this is not one of the better indie films I’ve seen, I have to say Madeline stepped up her game and delivered a solid horror comedy. Maybe not worth multiple watches but I’m not mad at the time I spent watching it.

3 hatchets (out of 5)




 

 

 

 


Get books, comics, graphic novels and more at bunny17media.com. Use the code CHC at checkout for 15% off your purchase!

Follow Cinema Head Cheese:
Website: cinemaheadcheese.com
Facebook: /cinemaheadcheese
Twitter: @CinHeadCheese
Email: cinemaheadcheese@yahoo.com
Instagram: abnormalpodcast 
Pinterest: /abnormalpodcast/cinema-head-cheese/
RSS Feed: http://feeds.feedburner.com/CinemaHeadCheese
iTunes: https://itunes.apple.com/us/podcast/cinema-head-cheese-movie-reviews-news-a-podcast-and-more/id393261942?mt=2
Stitcher: http://www.stitcher.com/s?fid=18843&refid=stpr

You can support Cinema Head Cheese and Abnormal Entertainment on our Support Us page.

February 19, 2024

Atomic Swan Films - A Review of Various Shorts PART 2


All righty. Let's continue our journey down Atomic Swan Films lane, shall we? Here we go with Part 2.


PEDIE THE CLOWN COLLECTION

I reviewed the Vampire Hunter one from 2019 and you can read that HERE. This short is called:

Pedie the Clown Sex Educator (2022)

(I’m already dying)

Again we have an instructional video from Pedie the Clown only this time, instead of prepping us for vampire hunting, he is teaching children about the female reproductive system. It’s a little like Pee Wee’s Playhouse but instead of talking furniture and childlike wonder, we get an oversexed pedo with a medical illustration poster.

The kids learn all about the clitoris, the honey hole, eating babies, bush, crabs, the word of the day “Vagina,” and how to effectively use your tongue for the little man in the canoe.

(What is happening??)

 

I just…okay, look. It’s no secret here at Cinema Headcheese that I have the humor of a 12-year old boy. So I find this short film FUCKING HILARIOUS. Nearly as funny as the Vampire Hunter one. Tuan Edwards has a lot of fun playing Pedie and it shows, especially when he starts laughing through his lines. If you have a good, irreverent sense of humor and are not easily offended, then Pedie the Clown series is for you!

This is from the Vampire Hunter short but I just needed you to get the idea of who/what Pedie is.

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

INDIE FILMS FROM AROUND THE WORLD

Some kind of movie host is presenting the greatest movies in the world that you’ve never seen. Hey, toot your own horn, man. Who else is gonna do it? We’re presented with three killer or mutated or weird ass animal movies and they are, sort of, connected.

 

Killer Raccoon Fish in 3D (2016)

We begin in Creaming, KY (because of COURSE we do) where a girl is yelling at a bunch of sculpture pieces that she claims got her fired. As she gyrates and sexy dances around/on them (this goes on for some time), a mysterious stranger sneaks up on her, knocks her out, and takes her to some kind of basement laboratory.

Dr. Doctor has (holy shit, it’s Chris Ringler. I know that guy!) kidnapped her and plans to combine her with a racoon and a fish to make, you guessed it, a killer raccoon fish. The creature wreaks havoc all over town but the Mayor refuses to cancel any public celebrations and activities. After he jerks off and takes a massive shit, credits roll.

If you had 3D glasses, this picture would make more sense.


Uh…wut? I honestly didn’t know a lot of what was going on because the audio is absolute shite. It was also the most nonsensical film of everything I’ve watched so far and that’s saying something. While the 3-D effect is not that bad, it’s actually easier to see what’s happening without the 3D glasses (which were included with the DVD – so that’s pretty cool).

 


Radioactive Skunk (I assume it’s 2016 as well)

The ending of the killer racoon fish movie is copied and pasted into the beginning of this one.

The Kid is speaking to…someone on the phone about going in to rescue his sister from Dr. Doctor (remember the gyrating chick from the previous film?) and if he doesn’t call back, contact Squint, a professional commando three days from retirement. There’s something else about a radioactive skunk but honestly, it doesn’t matter at all.

Naturally, The Kid doesn’t call back. Dr. Doctor has captured him and sprays him with some hallucinogenic liquid. But why though?

I DON’T FUCKING KNOW.

Squint finally shows up for the rescue mission, and a bunch of other commandos do, too. Shenanigans ensue – we assume because some title screens pop up about how the movie studio didn’t like how the big fight sequence turned out so they just explain what went down - and the Doctor escapes, after Squint is tricked into some chamber where he’s Brindleflied into another person.


Da FUQ?

Honestly, I have no idea what happened in this movie. The audio was terrible again so it was hard to hear all the pontificating exposition. Chris Ringler is fun as Dr. Doctor, especially while wearing a cooking pot on his head.

 

Quick little promo before the next killer animal film shows a conversation between two guys and a muppet about "Attack of the 6-foot Squirrel." My guess is this is some kind of promo…? Anyhoo, we finally get to the last of the killer animal shorts with:

Night of the Werebeaver (2019)

Three people are inside a small shelter playing cards while a couple guys patrol the perimeter. Apparently there’s a werebeaver on the prowl and it’s very dangerous. Also if you eat werebeaver shit (WHO IS DOING THIS??) you’ll get all high or something. So when the werebeaver finally rears its ugly (Halloween mask) head, pretty much only Corporal Half-Sack can fight it. But the creature just flips him off and scampers out into the night.


Uh..wut?

Most of the audio is gods awful; Half-Sack is just scream-improvising his lines; and there’s really no point to any of this.

I got nothing else.

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

EXPERIMENTAL TALES (2023)

I reviewed a bunch of shorts in this collection already (listed below). There were in a different collection called Tales of Time but seemed to have just been added into this new set. DOESN’T MATTER.

- 357

- Experiment 7734

- seven/eleven

- The Longest 20 Seconds

- Wet

I already reviewed the first four that you can read HERE and "Wet" was reviewed in Part One of this two part post, which you can read HERE. The two new shorts I watched are:

 

What is the Nightcrawler? (2023)

The same newscaster from Canado is reporting on the so-called Nightcrawler, a creature that puts victims in a trance and then has its way with them. After his special guest, the janitor, talks on camera, the newscaster quits because his job sucks.

 

I mean…it all felt improvised. Some stuff was kind of funny; most was not. A lot of words and ideas are thrown around but don’t really work together. It’s like trying to put together a puzzle with pieces from ten different sets.

 

The Executive

Basically this is some kind of producer looking at a clip from Manila Extract. He thinks the idea for this flick is dumb. He’d rather see a guy who puts on kids shows after he’s gotten out of prison (i.e., Pedie the Clown). That has more substance!

 

The producer is played by Tuan Edwards who is also Pedie the Clown. Uh, this just felt like filler. But hell, I’m all for more Tuan Edwards!

 


That wraps up Part 2. Atomic Swan Films brings us some crap, and some funny and less bad crap in all shapes and sizes. Not the best out there in filmland but certainly not the worst. Honestly their films are mostly enjoyable to watch, and at least useful just to have some background noise on while you masturbate and you don’t want your roommates to hear you.

Just keep your eyes and ears open as I'm sure this won't be the last ASF offerings I'll review.




Get books, comics, graphic novels and more at bunny17media.com. Use the code CHC at checkout for 15% off your purchase!

Follow Cinema Head Cheese:
Website: cinemaheadcheese.com
Facebook: /cinemaheadcheese
Twitter: @CinHeadCheese
Email: cinemaheadcheese@yahoo.com
Instagram: abnormalpodcast 
Pinterest: /abnormalpodcast/cinema-head-cheese/
RSS Feed: http://feeds.feedburner.com/CinemaHeadCheese
iTunes: https://itunes.apple.com/us/podcast/cinema-head-cheese-movie-reviews-news-a-podcast-and-more/id393261942?mt=2
Stitcher: http://www.stitcher.com/s?fid=18843&refid=stpr

You can support Cinema Head Cheese and Abnormal Entertainment on our Support Us page.

February 7, 2024

Atomic Swan Films - A Review of Various Shorts Part 1

I got a bunch of DVDs from my buddy, Tyler Zicafoose, back in April of 2023. I finally got around to watching them all just a few weeks ago (sorry, Tyler). There are quite a few I need to review so I’ll break this into two parts. I did review some Atomic Swan films before for Cinema Headcheese so you should already be well vaccinated.

For now, we’ll start with a few shorts and the slightly longer form film in one post, and the rest of the shorts in another. Where appropriate, I’ll link those aforementioned reviews I’ve already done.

But enough chit chat - let’s get this Atomic Swan party started!



(Hopefully my notes are good enough and will help me remember what the heck happened in all these movies! Also I’m mostly reviewing these in the order I watched them, not necessarily the order they were made. Just fyi.)

PART 1

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

Udo - Welcome to Future Germany (2022)

Our first short is extremely simple - a man, Udo, is visiting America, and he is from Future Germany. An American journalist is interviewing him.


Really, that’s about it. Udo says a bunch of absurd things about puberty, sex, and expressionism, while petting various stuffed animals. His accent is highlighted by groaning and no, he’s not constipated. Everyone in Future Germany speaks zat vay because sensssual.

It’s basically a short film filled with bad jokes, a bad wig, and beatnik glasses. Though I admit to LOL’ing when the interviewer asked, SEVERAL TIMES, if Udo was constipated because of all the groaning.

#imsecretly12 #itsnotasecret

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

Canado (2020)

A crazy weather event has occurred and Carlos Ortega Rodriguez Baguette is on the scene with a family devastated by the chaos left behind. A tornado of cans, a CANADO, ripped through their yard depositing endless piles of tin cans. The couple who own the property called it a government conspiracy because they can’t even take the cans back for their deposits because of The Rona.

Conclusion? Carlos doesn’t know what the fuck is going on. It’s a god damned mess and someone has to clean it up, though he believes the family is just lying because they don’t want to clean up the giant mess they made after having a party. DURING THE RONA.

 

Yes, it is as ridiculous as it sounds. But my Atomic Swan bias, Tuan Edwards, is damned fun as the newscaster. I’m pretty sure he improvises a lot of his dialogue, and his interview sign-off “Keep on Trucking” was unexpected and got whoever was behind the camera to laugh. Probably should have edited that out, though.

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

The Manila Extract (2019)

The short and curlies on this one: VP’s son is kidnapped by terrorists in the South Pacific. Team One gets caught - basically a trained assassin (The Babushka) and his spotter (whatever the fuck that is). So Major Jameson sends in Team Two, which consists of a rag-tag collection of soldiers and possibly a new recruit and some random Vietnamese guy whose multiple personalities are triggered by certain words. Eventually they are caught but before that, they rescue the Babushka who is basically a low-rent Jesus in drag makeup.

So now Jameson has to thaw out Team Two’s leader’s buddy, Half-Sack, so he can go in and rescue everyone.


Um…whadafuq?

Okay, let’s get the bad stuff out of the way first. The audio was pretty shit. I couldn’t hear most of the dialogue - and I have hearing aids now, people, so it’s not me. A bunch of scenes dragged on far too long, the interviewing process for Team Two being a prime example, and top of that, the interviewer kept interrupting the interviewees making it even MORE DIFFICULT to hear what they were saying.

The section where Team Two has split up and everyone’s looking for these damned terrorists is another pacing issue. Drags like bare skin on gravel, man. While some bits played out during this time were kinda funny, overall it just slowed everything down too much.

I understand these characters are caricatures and not tied down to any normal professional rescue team behavior, it still kinda pulls the viewer out of the story when they are ALL YELLING AT EACH OTHER while trying to sneak their way through the terrorists’ compound. And what’s that ending? Who is Corporal Half Sack? Why is he frozen? Was this a nod to Demolition Man and you gotta send in a crazy guy to do crazy guy stuff?

That said, I did enjoy some of the movie.

Not gonna lie - the opening music kinda bops. Looks like it’s from Kevin MacLeod at incompetech.com (free music source?)

I did like the sole female soldier recruited for the mission: Connie Cougarsmith, played by Janell Jagger, she of Canado fame. She had a sassy little chip on her shoulder and played it well. And, of course my boy, Tuan Edwards, was the Vietnamese guy with multiple personalities. I don’t know why but his character’s special skill of being really small so he could fit places most people can’t really hit hard as Tuan just crouched under a table where they had their briefings. I don’t know why that was so funny to me but I loved it.

As usual, I think Tuan improvised quite a bit. Someone correct me if that’s not true because sometimes his lines hit like Mike Tyson and others flop like Austin Powers thinking of Margaret Thatcher on a cold day. I’m nearly positive there was a fuck up in one scene with him and two other team members - a grenade fell off the one guy’s vest, without the pin - and though Tuan was giggling, they all just went with it and moved on. Probably one of my fav scenes, actually. The show’s gotta go on, right?

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

MURDER BALLADS (All stories written and directed by Charles Shaver – I think)

Among Thieves (2011)

Couple of robbers, Burke and Red, breaking into homes to steal what they can and head up to Mackinac. After unnecessarily killing a home owner, they pick up Red’s cousin, Smitty (SPOILER: he’s actually Red’s brother but Smitty doesn’t know that so shut the fuck up) to join the spree. The three come upon a random homeowner out doing yardwork, minding his own damn business, and decide to rob him, too. And maybe have some fun with his hot young wife.

Doesn’t go so well because they kill the couple then go on the run, hiding in an abandoned barn. And that doesn’t go well either because the cops find them, a shootout ensues, and Smitty is the only survivor who drives off into the sunset. (Well, technically rain but whatever)


While the story is pretty basic on this one, I have to say it’s probably my favorite short film of the bunch I watched. Best acting of all the shorts, good characters, fun dialogue, and I loved the ending. Also the ending credits rolled with just the rain as the soundtrack. Pretty impactful.

 

Wet (2013)

Man dressed as the god, Anubis, is torturing a woman. His philosophy is that the purpose of humanity is to make the world wet with blood. But after cutting out her eye, he releases her so she can tell the world he’s coming.

 

Uh…wut?

I admit that the woman actress was great. I totally believed her suffering. And while I kind of get what the writing meant when the Anubis guy screamed he wasn’t being schizophrenic, it just felt lacking. Yes, this was a short but it could have used a few more minutes of development.

I did appreciate the Ken MacLeod music again. It was used more like ambient or background noise and it fit perfectly.

 

The Process (2014)

A man sits at a computer trying to write a romantic comedy with vampires. While struggling with what to write, there are objects moving around his basement, strange noises, blood in his coffee cup. Once he demands whatever is fucking around with him to help him write or get the fuck out, he sees a dark shape, clutches at his chest, then collapses. He struggles to get back to his computer where he types “The End” and hits print. Then he dies.

 

Uh…wut?

Very quick and simple story. Not really bad, not really good. Nothing special at all but, like the Among Thieves ending, the credits roll with the simple sound of the printer running. That was the best part.

 

Codename: Phantom (2012)

Alexandria Harris hosts a web series about Michigan myths and legends. This particular tale shared by “Bob” and his family is called “The Black Blood of Cecil Drive.” Basically strange goings on happen in Bob’s house - rain in the living room, overwhelming sadness, objects moving on their own - all which started after they began remodeling the bathroom.

After discovering a pool of black goo in the basement, they find out a woman who lived there in the 1960s was murdered by her husband and he hid her body in basement. Bob and his family moved shortly after.


Again, a basic story. But the reenactments are poorly done, the acting is lackluster, and the music is just terrible.

 

Sugar Plum (2011)

Sugar Plum is basically the story of a man and woman but shot like a silent film. The man is obviously homeless and he chats up a woman waiting for the bus as she shares the bench he’s sitting on. He reminisces about being the war and how it haunts him. While the woman is initially cold, she eventually warms up to him the more they speak, and finally accepts his invitation to dance (music they can only hear, I suppose).

The scenes move backward in time from the present, each character appearing younger as they each remember their youths. Eventually they come back to the present, his memories of war still haunting him and she needs to head off somewhere. Sad as he sits alone again, the woman returns briefly to give him some Jordan Almonds (referencing part of their conversation) and then flits away after kissing his cheek.

 

Well that was the most charming little vignette I’ve ever seen. A lovely and unexpected change from the horror films I’d been watching to this point. Kudos to Dean Venderkolk and Corinna Pokorzynski as the man and woman who brought this beautiful little story to life.

 

So there you have Part 1 of my Atomic Swan Films reviews. Stay tuned for Part 2 coming soon.




Get books, comics, graphic novels and more at bunny17media.com. Use the code CHC at checkout for 15% off your purchase!

Follow Cinema Head Cheese:
Website: cinemaheadcheese.com
Facebook: /cinemaheadcheese
Twitter: @CinHeadCheese
Email: cinemaheadcheese@yahoo.com
Instagram: abnormalpodcast 
Pinterest: /abnormalpodcast/cinema-head-cheese/
RSS Feed: http://feeds.feedburner.com/CinemaHeadCheese
iTunes: https://itunes.apple.com/us/podcast/cinema-head-cheese-movie-reviews-news-a-podcast-and-more/id393261942?mt=2
Stitcher: http://www.stitcher.com/s?fid=18843&refid=stpr

You can support Cinema Head Cheese and Abnormal Entertainment on our Support Us page.

April 11, 2023

Spirit Animal Movie Review (2019)

 

I love being able to meet indie horror film makers at conventions. It’s usually because I’m set up next to or near them, and I end up staring at their DVDs and posters all weekend. My first Cinema Wasteland was no exception. I was set up across from Nekroshark Films and writer/director Madeline Deering. While the poster for another unfinished film got my attention, I was able to get my hands on a copy of this movie to review today.

Madeline was super cool to talk to and I really like the story idea for this flick. Is it perfect? No. Is it really good? Also no. But it’s not the worst film I’ve ever seen and I enjoyed quite a few bits of it. Let’s break it down.

The basic premise of Spirit Animal is simple – a serial killer murders people while wearing different animal masks and using different kill methods that are dependent on the victim. The killer is guided by a sentient tree in the forest that wants to destroy humanity because we’re fucking up the planet.

Makes sense.

The film opens with a couple ads, very much like the Atomic Swans films I’ve recently reviewed. Are they real places? Fuck if I know but I’ll tell you this, after seeing the ad for Dingo Pizza, I really REALLY wanted to eat pizza.

 

Cut to a ‘bartender’ slinging beers and telling us, the viewer/customer, about this weird VHS tape he found by the dumpsters. He then proceeds to break down the two tasks we must do: 1. Play the smell-o-vision scratch card game when certain numbers pop up on screen (I, unfortunately, did not get one); and 2. Play the Spirit Animal drinking game. Every time a shark is on screen, take a drink. Every time you see the plushy shark, take two drinks. 

If I’d actually played along, I would have died of alcohol poisoning before the 2nd half of the film.

THEN we get to the actual movie, which is a twenty year flashback to a camp, a bunch of kids, and a counselor who’s making them figure out which spirit animal they are – or will be after they die.

Nothing like a little bit of heavy existentialism right before bed, eh kids?

The remainder of the film takes places in the present and a bunch of people are going out to the woods to camp, hang out, and have some fun. Unfortunately for them, the killer, Aarav Niktomi, is about to pee in everyone’s proverbial personal pools.

 

As you can imagine, indie horror is a bit rough. Very low production value, skilled actors are few or non-existent, lame writing/dialogue, sound and lighting unbalanced, and cinematography who? While there are weak aspects in this film as well, it’s actually much better than I expected.

For once, the sound was well balanced. The sound effects didn’t make my ears bleed while the dialogue belonged in your local library. Most of the special effects were practical. I’ll take those any day over crap CGI. There were some digital effects but not enough to irritate.

I really enjoyed the kills, for the most part. Like I said, the practical effects were fun and probably ‘death by pizza cutter’ was my favorite. But each character was killed in a different way. Tim, who always used plastic straws and littered the ground with them, had his brain sucked out through one by the killer wearing a shark mask while he screamed about how straws ruin the ocean.

I told you...NO MORE PLASTIC STRAWS! EVAR!!!

While the acting is less than stellar, I really liked the character of Lisa. She was probably the most and best developed (she had a backstory with an abusive ex-boyfriend) and I think she was the only smart character of the bunch. Very sympathetic, likeable, and I wondered why she was friends with any of these fools.

I actually have several places in my notes where I typed out ‘haha’ in capital letters, just so I wouldn’t forget them. The humor does fall flat a lot but it hits the mark more often than not. Some basic silliness, sneaking in lines from other terrible films, but I probably laughed the most during the ending credits. Lots of little jokes and asides in there, especially what were obviously things said by the cast and crew about the director, Madeline.

And someone correct me if I’m wrong, but did Andrea sing the camping song from Sleepaway Camp 2 when she was drunk in front of the fire? I need a fact check!

I thought the story itself was very original. Allowed for a lot of creativity and humor while presenting real environmental horrors that happen every day. And while I don’t condone killing off humanity to save the planet, I do understand why it might seem like a viable option. Particularly to a sentient tree who bears the brunt of human’s destructive nature.

Now, with that said, there are a lot of faults in this flick, too.

Aside from Lisa, none of the characters matter. They’re either irritating or just…there. Even the killer couldn’t make me care about his cause, one-liners and quips not withstanding. I couldn’t be bothered when characters died. I just wanted them to shut the fuck up (except for the two chicks lost in the woods looking for a party – that actually cracked me up, though I remained untroubled at their deaths).

Would you like a taste of my banana?

The pacing dragged ass about halfway, which most films do. But while I understand hyperbolic humor, if there’s no action in a scene after about ten seconds, the viewer starts to tune out. Only Tom Hanks can pull off a peeing-for-thirty-seconds scene. And don’t get me started on the expo-dumps and ravings about how shitty humanity is. The killer’s mask-themed jokes were funny at first but by the third one, I just wanted it to end.

Postproduction sound is not good. The dialogue synching was mediocre at best and completely distracting; lighting is pretty bad for the night scenes; continuity lacked; some gaping plot holes. If this cleansing the world of humanity ritual can only happen every 1000 years, why did Aarav mention that it happened last time 20 years prior? Aarav says he’s not the only one (wanting the ritual) but we never circle back around to that idea. How does having a banana allergy make a victim of a banana attack melt into green goo?

Head scratching indeed.

So while this film isn’t really that great, as far as indie horror goes, I have to say I enjoyed it more than I thought possible. Maybe next time I’ll try the drinking game with a few friends and see if it’s any better. Perhaps at the next Cinema Wasteland…? I am excited to see if Bathtub Shark Attack, the movie poster that actually caught my attention, will screen at the fall CW show. I’d like to see what else Nekro Shark Films and Madeline Deering have to offer us in the future.

 

2.5 hatchets (out of 5)




 

 


Get books, comics, graphic novels and more at bunny17media.com. Use the code CHC at checkout for 15% off your purchase!

Follow Cinema Head Cheese:
Website: cinemaheadcheese.com
Facebook: /cinemaheadcheese
Twitter: @CinHeadCheese
Email: cinemaheadcheese@yahoo.com
Instagram: abnormalpodcast 
Pinterest: /abnormalpodcast/cinema-head-cheese/
RSS Feed: http://feeds.feedburner.com/CinemaHeadCheese
iTunes: https://itunes.apple.com/us/podcast/cinema-head-cheese-movie-reviews-news-a-podcast-and-more/id393261942?mt=2
Stitcher: http://www.stitcher.com/s?fid=18843&refid=stpr

You can support Cinema Head Cheese and Abnormal Entertainment on our Support Us page.