...funny thing, about the passing of time; it has a way of affecting, re-affecting and de-affecting certain things. 'Certain things', as far as how the general masses see them. How one looks at a certain thing, one day, and then years later, see that very same thing in a different light. The old story of how time is kind to some things, and not so forgiving on others...the old adage of some things aging like fine wine, and for other things...well, they turn to vinegar. And so, considering the particular subject matter at hand, as the classic pop song lyric so succinctly goes, "...if you think you know where all this is heading..."...yeah, we're talking Italian trash cinema, with the moniker of 'trash' not only being poignantly applicable to this specific film review, but also, as an endearing token of affection, with regards to this rather eclectic brand of cinema...
...in as much as this reviewer has very much embraced and appreciated Italian cult film cinema, regardless of all of it's ever-shifting, ever-changing, even ever-mimicking incarnations, stemming back to the early '60's, and reaching up through the years, to...say, about the late '80's. The gothic-flavored horrors of the '60's...the tense, visceral giallos of the '70's...the gore-soaked zombie & cannibal buffets of the '80's. And all of the war-sploitation, shark-sploitation, prison-sploitation, Rambo-sploitation, Star Wars-sploitation and post-apocalyptic future-sploitation flicks, prolifically sprinkled amidst it all. And it's one of those latter categories, and a specific film therein, that we're gleefully jumping all over, in this focus...
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Showing posts with label George Eastman. Show all posts
Showing posts with label George Eastman. Show all posts
August 18, 2015
October 1, 2013
Movie Review: Django Prepare A Coffin (Blu-ray, 1968)
Review By: Rob Sibley
For one of the first times I decided to give a film a blind watch without knowing anything about it. I'm a huge Spagetti Western fan and I've seen dozens of films titled Django and besides some gems such as "Django Kill... If you live shoot" most of them are pale imitations of Sergio Corbucci's classic 1966 Django. Everyone from Takashi Miike to Tarantino has tackled a Django picture.
So judging a book from it's cover I noticed this particular film starred Terence Hill of the Trinity films fame and the many flicks he made with Budd Spencer. He's a solid actor but sure has starred in a number of clunkers.
Second it was directed by Ferdinando Baldi who whelmed two films I really enjoyed. The solid Western Texas Goodbye with Franco Nero and the sleazy gem Terror Express. The composer on this picture was Gianfranco Reverberi who scored the fantastic Edqige Fenech flick, A Policewoman on the Porno Squad. Last but not least Arrow Video was releasing the film, on Blu-ray no less so I went into this with high hopes. Was I satisfied with the final results?
For one of the first times I decided to give a film a blind watch without knowing anything about it. I'm a huge Spagetti Western fan and I've seen dozens of films titled Django and besides some gems such as "Django Kill... If you live shoot" most of them are pale imitations of Sergio Corbucci's classic 1966 Django. Everyone from Takashi Miike to Tarantino has tackled a Django picture.
So judging a book from it's cover I noticed this particular film starred Terence Hill of the Trinity films fame and the many flicks he made with Budd Spencer. He's a solid actor but sure has starred in a number of clunkers.
Second it was directed by Ferdinando Baldi who whelmed two films I really enjoyed. The solid Western Texas Goodbye with Franco Nero and the sleazy gem Terror Express. The composer on this picture was Gianfranco Reverberi who scored the fantastic Edqige Fenech flick, A Policewoman on the Porno Squad. Last but not least Arrow Video was releasing the film, on Blu-ray no less so I went into this with high hopes. Was I satisfied with the final results?
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