...it's sometimes intriguing, and at the same time, perplexing when a renowned, albeit controversial filmmaker...reputedly known for escapist film fare, rendered on a provocatively visceral and dead serious level...does a 180 degree turnabout, and takes on a much more lighter level of material...adventurous and thrilling, with a measure of humor, intrigue, romanticism and rollicking light-heartiness, that wholly contradicts many of that filmmaker's previous productions. Almost as if the director wanted to take it easy, and do something fun and outrageous...maybe even commercial, for a change...a break from the provocative and controversial, and onto something much more akin to wild and crazy abandon. They...the critics, his fellow filmmaking brethren, and even the general public...thought that director Sam Peckinpah had taken leave of his senses, when his next chosen project was a rip-roaring, 18-wheelin' juggernaut, good ol' boy movie version of a pop country/western hit song, which at the time, was reining over the AM radio waves. Crazy insane?? This is the guy who dared turn the western genre on it's ear, with unconventional revisionist classics, like 1969's "The Wild Bunch" & 1973's "Pat Garrett and Billy the Kid", not to mention visceral crime dramas, like 1971's "Straw Dogs" & "1972's "The Getaway"; yet, here he was...jumping on the band wagon, with the 'flavor-of-the-moment', dash & crash truckspoitation genre, spear-headed by at-the-time recent runaway hits, like 1977's "Smokey and the Bandit", "Breaker! Breaker!" and the following year's "High-Ballin'". And amazingly enough, Peckinpah's whimsically relishable adaption of singer/songwriter C.W. McCall's hit song, "Convoy", proved to be his biggest box-office hit, considering his reputation...and given some able-bodied assistance from another Hollywood legend, due to director's ailing health...Search the Cinema Head Cheese Archives!
Showing posts with label Ernest Borgnine. Show all posts
Showing posts with label Ernest Borgnine. Show all posts
June 19, 2014
Movie Review: Convoy (1978; EMI Films/Cheezy Flicks)
...it's sometimes intriguing, and at the same time, perplexing when a renowned, albeit controversial filmmaker...reputedly known for escapist film fare, rendered on a provocatively visceral and dead serious level...does a 180 degree turnabout, and takes on a much more lighter level of material...adventurous and thrilling, with a measure of humor, intrigue, romanticism and rollicking light-heartiness, that wholly contradicts many of that filmmaker's previous productions. Almost as if the director wanted to take it easy, and do something fun and outrageous...maybe even commercial, for a change...a break from the provocative and controversial, and onto something much more akin to wild and crazy abandon. They...the critics, his fellow filmmaking brethren, and even the general public...thought that director Sam Peckinpah had taken leave of his senses, when his next chosen project was a rip-roaring, 18-wheelin' juggernaut, good ol' boy movie version of a pop country/western hit song, which at the time, was reining over the AM radio waves. Crazy insane?? This is the guy who dared turn the western genre on it's ear, with unconventional revisionist classics, like 1969's "The Wild Bunch" & 1973's "Pat Garrett and Billy the Kid", not to mention visceral crime dramas, like 1971's "Straw Dogs" & "1972's "The Getaway"; yet, here he was...jumping on the band wagon, with the 'flavor-of-the-moment', dash & crash truckspoitation genre, spear-headed by at-the-time recent runaway hits, like 1977's "Smokey and the Bandit", "Breaker! Breaker!" and the following year's "High-Ballin'". And amazingly enough, Peckinpah's whimsically relishable adaption of singer/songwriter C.W. McCall's hit song, "Convoy", proved to be his biggest box-office hit, considering his reputation...and given some able-bodied assistance from another Hollywood legend, due to director's ailing health...September 20, 2013
Movie Review: Deadly Blessing (1981, Scream Factory)
Before Wes Craven went on to become one of the supreme auteurs of the horror genre with films like Nightmare on Elm Street and the
Scream series, the filmmaker grabbed enough cult status to keep his name
relevant with Last House on the Left and The Hills Have Eyes. These were great
films - visceral, nasty and both as unrelenting as anything produced in the
1970's.
In 1981, Craven's approach for the Amish themed thriller
Deadly Blessing takes a more restrained but still includes many of his classic
touches fans have been able to see in his work over the past 40 years. Scream
Factory has just released the Collector's Edition of Deadly Blessing, and
folks, it's pretty special because this is the first time it's ever been
released on Blu-ray and DVD in the US.
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