Search the Cinema Head Cheese Archives!

Showing posts with label Forced Entry. Show all posts
Showing posts with label Forced Entry. Show all posts

February 28, 2015

Secondhand Smut #4


Do you remember when I announced the closure of the Secondhand Smut column? Well, here I am again. With nothing secondhand but certainly Smut. I’ll explain.

I had plans for the fourth installment to cover my findings from August, September, October and November 2014, but this simply wasn’t meant to be. So, here I am, reviewing some Smut that I recently got my dirty hands on.

Sweet & Sour (1974)

The male lead is a photographer (of mainly pornographic stills) and he just found his muse off the streets who is a musician. Together they will experience sexual acts that are moving this film in a very conventional way; that is, until the violent outburst of the ending which makes the whole journey worthy.

There’s no telling how much of a Lloyd Kaufman fan I am. He’s mostly known for his independent ‘70s and ‘80s flicks, but I’m more in love with his ‘90s and ‘00s masterpieces. Sweet & Sour (1974) is an early pornographic film of his. The copy I have is in terrible condition and I pray that someday Vinegar Syndrome will release a good restoration on disc.

Hardgore (1976)

Maria [Dianne Galke from Teenage Runaway (1975)] is a nymphomaniac with masochistic tendencies as we learn, and so she is locked in a nuthouse. She should suspect that this institution for mental patients has something to hide though because the nurse who’s showing her into her room is teasing her and soon the two of them get to have some hot lesbian action. Later Maria will find a couple of dildos in her room too; professional help, right?

A nurse will have her throat slashed and this is the movie’s turning point. From then on everything seems to be lit in a horror movie way. Just when you thought you’d get scared though you see a dildo attached to a medical machine providing pleasure to the female lead, and just when you thought you’d get horny you see a dick chopped off.

The female lead is kidnapped by some people who force her into ceremonial group sex (there are several black magic symbols here on display, or maybe they are Satanic, or both, or I don’t really know). There is a man in a Devil mask that is conducting most of these orgies. And there are a few flying penises that are shooting insane amount of semen, resulting in a bukkake scene. You can’t call it bukkake per se because the term was first used for post-1980 Japanese films, but I don’t know what else to call that scene.

There are some more bloody scenes here, in the form of murders, or ‘forced accidents’, and the whole thing reminded me a lot of Herschell Gordon Lewis’ best moments even though it works mostly as a Slasher film. It didn’t seem to be very popular back then, but this combination of hardcore pornography with hardcore splatter seem to be attracting many new fans nowadays as this film has finally its cult following and is mentioned way too often online.

January 8, 2014

Movie Review: Abduction of an American Playgirl and Winter Heat (1975,1976)

2013 has been a banner year for genre DVD and Blu-ray producers Vinegar Syndrome. With titles like The Telephone Book, Good Luck, Ms. Wyckoff and Night Train to Terror making outstanding debuts on the format, cult film fans have been able to view some of these rarely seen oddities in the comfort of their own home. Classic porn fans have also gravitated towards the company too as we've also been able to eat up numerous double-bills from their Drive-in themed collection. The brand new Peekarama line looks to be a pleasing addition to the growing library of vintage adult goodness from Vinegar Syndrome.

 This particular double feature have similar the similar themes of kidnapping and rape, but both couldn't be any more different tone. Our first half of the Peekarama double-bill is called Abduction of an American Playgirl. We begin this descent in goofy filth with couple of dopey kidnappers (Eric Edwards and Alan Marlow) pondering the kidnapping of a young woman (Darby Lloyd Rains, Naked Came a Stranger). Their goal is to have their way with her and dangle out for a ransom. The trio end up at dive hotel where they start their fun. What the boys get though is a woman, so insatiable, and draining, they become victims and get raped themselves.

December 19, 2010

Best Of 2010: Top Ten DVD Releases

Cinema Head Cheese has compiled a list for the Top 10 DVD releases of 2010. These are the cream of the crop folks and highly recommended purchases for cult film fans.

10. The Vengeance Trilogy (Tartan Video)



9. Forced Entry (Pink Flamingo Entertainment)

8. Ticked-Off Trannies With Knives (Breaking Glass Pictures)



7. Long Pigs (R-Squared)


Buy Long Pigs on DVD

October 25, 2010

Movie Review: Forced Entry


Adult films are rarely known for their potent narrative. The crossing of genres - Horror, action, science-fiction - in current porn is quite rare. Aside from the occasional Vivid production (which are mostly parodies), you don't see this too much – if so, it’s executed poorly. In the '70s and even the early '80s , their were many prime examples. One early example of a film that truly crosses two genres, is Shaun Costello's (Midnight Desires, Hot Dreams, Passions Of Carol, Pandora's Mirror and the amazing, Waterpower). Forced Entry - starring Costello's friend at the time, and porn legend, Harry Reems (Deep Throat, Devil in Miss Jones).

Forced Entry, has some interesting history behind it. This film is essentially one of the first - if not the first - features to combine graphic violence with hard-core sex. Forced Entry tells the depressing story of Vietnam veteran (Harry Reems, in an exceptionally skuzzy role), traumatized by flash-backs of his tumultuous tour-of-duty. This certainly doesn't help with the fact that he is also a psychotic and hates woman. His tools of destruction are a gun, a very large blade and his penis. This movie is not an easy watch. It's hardly comparable to Grandmothers Lust or some random Bukkakke offering – it’s just a different type of disturbing. Forced Entry was shot on 16 mm, around 1972-1973 in one day; and is known as one of Costello's most famous "one day wonders". The editing and the insertion of horrific Vietnam war stock footage gives Forced Entry such an authenticism it's hard to erase it from your mind. Forced Entry is gritty, grimy and startlingly voyeuristic in its presentation. You can literally smell what’s on the screen. It has an intensity and realism that will knock - similar films with higher budgets and longer shooting schedules - on their ass.