"We Are What We Are" DVD Contest!

About the movie:
The Parkers, a seemingly wholesome and benevolent family, keep to themselves, and for good reason. As they struggle to keep their ancestral customs intact, local authorities begin to uncover clues that bring them closer to the secret that they have held closely for so many years.
Bonus Features: An Acquired Taste: The Making-of We Are What We Are.
Interviews with Director Jim Mickle, Bill Sage and Julia Garner, Audio Commentary with Cast & Crew.

We're lucky enough to have three copies to give away in a random drawing.

All you have to do to enter is share this post and tag Cinema Head Cheese on Facebook or @CinHeadCheese on Twitter.

Contest ends on Monday, January 20th, so hurry!

Movie Review: Die Monster Die (Blu-ray, 1965)

When Boris Karloff took on the iconic role of Frankenstein's Monster in James Whale's classic Frankenstein  he became one of genre's elite actors in the 1930's. As his career progressed, Karloff would become a fixture on the proverbial Mount Rushmore of horror (along with people like Bela Lugosi, Vincent Price, Lon Chaney Sr. and Jr.). Amazingly, this break in Whale's film came because Dracula star Bela Lugosi felt the character was a little weak because of the lack of lines. Karloff thankfully seized this opportunity and followed Frankenstein with many memorable performances until his passing in 1969. His work in the 1950's and 1960's with Roger Corman and AIP became the capper to what was really an awesome career. Daniel Haller's Die Monster Die (aka Monster of Terror) was one of Karloff's later performances and even though he was up in years, and in bad health, he still had it. After knocking The Vincent Price Collection out of the park, Scream Factory has tackled more AIP goodness in this release for the Blu-ray format.

Movie Review: Jug Face (2013, Moderncine/MVD Visual)

...it often proves interesting when a genre writer or filmmaker takes an observation of unconvention...that is, 'unconventional' to that of an established and status-quo accepted 'norm', but perhaps, for all intent and purpose, completely 'normal' to the subject of said observation's origin, as well as those who subscribe to it...and weaves a literary mythos of originality and intrigue, with said subject as the protagonistic centerpiece. Few and far between situations, exactly like this, tend to somewhat dispel the sometimes resigned suggestion that the best of creative and imaginative ideas, with regards to the genres of horror and dark fantasy, are all used up...that 'the well' has run dry, in that respect. And yet, every once in a while, that very thing indeed occurs, and when it does, we of the devoted fright film aficionados, have every reason to gleefully revel and rejoice. Such is the case, when director Chad Crawford Kindle, in pondering upon his next project...his first feature film...happened to venture in and around one particular Northern Georgian pottery exhibit, came upon a most interesting (..and creepy, to say the least) discovery, and had an epiphany...a vision...an idea for a most chilling film, wrought with mystery, intrigue and unmitigated horror, beyond imagination and belief...

Movie Review: Body Bags (Blu-ray)

Scream Factory has been going above and beyond with some really fine treatment of John Carpenter’s classic films on Blu-ray. Just this year we’ve seen excellent releases of The Prince of Darkness, Assault on Precinct 13 and what could possibly be their best Blu-ray release this year in The Fog. During the early 90’s Carpenter put together an anthology along with genre great Tobe Hooper for Showtime called Body Bags. Here, Carpenter directed two of the films -- Hair and The Gas Station, and Hooper directed The Eye. Much like Creepshow, Carpenter also does a frequently humorous and gory wraparound piece where he plays a mortician who uses the bloody corpses to tell the stories unfolding.

The Gas Station is the first in the anthology and this is a straight-up slasher with some sprinklings of humor. It follows a young, attractive women and her new job as an overnight gas station attendant. She’s alone the whole night after reliving the evening shift attendant (Robert Carradine, Revenge of the Nerds). Creepy red-herrings are strewn about here in the form of a bum played by Carpenter regular, Buck Flower (They Live) and a drunk played by horror great Wes Craven.

The bodies gradually start to pile as someone is wandering about the darkness surrounding the gas station and hacking up folks. The premise of The Gas Station is routine but it starts a fun pace for the film and has an enjoyable performance by Robert Carradine.

Movie Review: Suicide Girls Must Die! (2010)

I’m not a huge fan of reality shows. I find them ridiculous, useless exercises in pointless melodrama. And, for the record, most of them are scripted in some fashion. On the other hand, I like the Suicide Girls. For those of you not familiar with them, these ladies are a group of ‘alternative’ (read pierced, tattooed and angry) nude models with a huge cult following, lucrative subscription website and, now, a couple of feature films under their belt (if they wore clothes). I don’t find the Suicide Girls fascinating due to their nudie model status, but I appreciate and encourage the outright angst and derision for ‘normal’ ideas of beauty. That kind of attitude is sexy. The reality show concept and the Suicide Girls combine in Suicide Girls Must Die!, billing itself as “the first reality horror movie.” It’s an intriguing concept that promises a great deal of areola, but, as all reality shows must go the film devolves into an unbelievable mess. On the plus side, though, the mess is naked.

Buy SuicideGirls Must Die! Unrated DVD!

Movie Review: The Hot Nights of Linda (1975; Eurocine/Severin)

...back in the good ol' grindhouse theater days of the early '70's, to mid '80's, this viewer remembers having mentally...at least, unconsciously...latched onto the production studio name of 'Eurocine', as well as the occasional smattering of films, put forth by this guy, Jesus Franco...or Jess Franco, as he was alternately coined. Of course, once home video became a standard norm, and the local video store...if they were respectably savvy, as far as cult and genre films...began to stock and shelve many of these European imports, the names 'Eurocine' and 'Jess Franco'...once flickered on the viewing screen...were fondly brought back to mind, once again. And having already partaken of some of these cult film classics in the stale, musty darkness of grindhouse venues, this ardent viewer salivatingly knew quite well that with a 'Eurocine' film...the studio which by now, well recognized and revered sleaze master Jess Franco, often favored...now available in the privacy of of one's abode, what was in store for this eagerly anticipating viewer, was nothing short of raw and unbridled sleaze, at it's very finest. Oh, those titles, though..."Female Vampire"..."Kiss Me, Killer"..."Women Behind Bars"..."Devil Hunter"..."Zombie Lake"..."White Cannibal Queen"..."Oasis of the Zombies"...as well as this review's 'flavor-of-the-moment'...a moody and tempered bit of obscure and underappreciated Eurocine/Jess Franco sleaze, which features Jess' often-used sexy darling, actress Lina Romay, has escaped even the most ardent of cult film aficionados, and has finally seen the mirrored sheen of digital home video, thanks to the astute film acquisitioners, over at Severin...1975's "Hot Nights of Linda". Is it as 'hot' as the title...as well as the erotically alluring artist's rendering on the DVD/Blu-Ray cover...implies?? Let's find out, shall we??

Movie Review: Junkie (2013, Indiecan Entertainment)

...ah, yes...the ol' time-worn, though still timeless 'odd couple' plot device. The 'what if' driven coupling...sometimes amiable, sometimes reluctant...of two abrasive and acidic personalities, set invariably against each other. Polar opposites...the oil and vinegar types...the ying, against the yang...Baby Jane and Blanche...Oscar and Felix...Riggs and Murtaugh...Elliot and Beverly...Tyler Durden and...well, the other guy (...Sheesh!! All these years, and it wasn't until now that it hit me, that 'the other guy' was not even named)...haphazardly walking that fine line between compatibility and incompatibility. Will they find that happy medium, in order to co-exist...at the very least, work together...or will they drag each other down, down, down, into a dark and inescapable abyss?? Come on, people...be perfectly honest, now; sure, it's fun and interesting to watch two totally different types, finding it within themselves to amiably play their differences harmoniously in tandem, in order to get the job done, no matter what 'the job' is. However, isn't it so much more outrageously fascinating to watch two polar opposites, tug and pull at each other, gratingly...combiningly driving each other down exponentially faster than what each separately might voluntarily plummet. Like watching two freight trains, barrelling incessively and inevitably towards each other at high speed, on opposite sides of the same track...the resulting and unavoidable crash, a sad and tragic, albeit irresistibly compelling inevitability. After all, misery does love company...and of course, demands an audience...

Movie Review: Berberian Sound Studio (2012, IFC)

Some of the finest horror films - or films for that matter - have a handful of pertinent things molded together perfectly to make them a solid moviegoing experience. For me, one of those main components that can literally make a movie terrifying is a well done soundtrack. John Carpenter comes to mind mind as someone who has used this skill in that department to his advantage. Of course the earlier films of the great Dario Argento (Suspiria, Deep Red) and his frequent collaboration with the talented group, Goblin, also show how great it is when it's done well. Peter Strickland's Berberian Sound Studio makes some interesting homages to some of the better Italian horror films of the 70's and 80's fo and has an interesting story on post-production sound and how it effects the characters in the film. Is it enough though?

Toby Jones (Captain America: First Avenger, Tinker Tailor Soldier Spy) plays Gilderoy, a quiet, lumpy English sound engineer starting again on a production for a horror film in Italy about witches. Nervous and seemingly out of place around the voice actors and other crew, Gilderoy has unenviable task of working with an ego-maniac director, Giancarlo Santini (Antonio Mancino). Gilderoy gradually starts to lose his sanity from the tension experienced in trying to complete this project -- one that he’s not too thrilled with to begin with. Berberian Sound Studio, has horror elements, but it really is more about the behind the scenes of a horror film. Some of what is shown is enjoyable to see, like the techniques on how music and dialogue is recorded to sync up with the film and even some interesting foley work that includes splattering watermelons and stabbing honey dew melons for death scenes.

Movie Review: House On Straw Hill (1976, Blu-ray/DVD combo, Severin)

Review By: Rob Sibley

Let me start off by saying I've been trying to track this film down since I was thirteen years old. I was twelve when I first saw "Blood for Dracula" which started my love for all things Udo Kier. I searched and searched for this film with no luck. Thirteen years later, finally the film sees the light of day in the U.S. on glorius Blu-ray no less from Severin. Which is a company run by fans for fans of cult cinema.

This release was easily the most anticipated release of 2013 for me. I mean waiting and searching 13 years for a film and then finally to see it announced I was nothing short of amazed. Now thirteen years is a lot of time to build up hype and expectations. Did the film live up to it's name, was it deserving the video nasty label and being banned? No, it should have been banned. Despite some violence and an abundance of excellent nudity, the film is directed with pure class by James Kenelm Clarke. Who's only film I was familiar with was "Let's get laid" starring sex kitten Fiona Richmond.

Cinema Head Cheese: The Podcast! #126 - Holiday Movie Memories

Kevin shares some of his favorite holiday movie memories and thanks those that made it a good year at the Cheese.

Click here to listen or right click and choose "Save Link As..." to download.

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"Rewind This!" Coming to DVD January 14th 2014!

BEFORE BLU-RAY AND DVD, BEFORE YOUTUBE AND CAMERA PHONES, THERE WAS VHS, THE VIDEO BREAKTHROUGH THAT CHANGED IT ALL

REWIND THIS!

The Nostalgia-Filled History of the Home video Format, Told by Both Filmmakers and Movie-Renting Fans, Arrives on DVD From Film Buff on January 14, 2014

The videocassette tape, once the cutting edge of home entertainment, is now a relic, but the story of its rise and fall becomes compelling viewing in REWIND THIS!, a loving and enlightening history of the format and the lives it helped change. The documentary comes to DVD from FilmBuff on January 14, 2014, with an SRP of $24.98. The film will also be available as a DVD/VHS bundle exclusively through Amazon.

Until the late 1970s, the only way to see movies uncut and uncensored was in a theater or on the new and not-widely-available pay cable. But the arrival of VHS, and its competing videotape format Beta, created a revolution that would ultimately change how movies were seen, distributed and even produced. It was an exploding industry without rules, where new terms like "fast-forward" and "direct-to-video" entered the vocabulary, and where the previously unheard of notion of owning movies became a reality. The simultaneous invention of the camcorder allowed everyone to become a filmmaker, leading to, among other things, the "found footage" genre of movies epitomized by The Blair Witch Project and Paranormal Activity, not to mention the rise of the adult industry.

Movie Review: Murder University (DVD, 2012)

Review By: Rob Sibley

Murder University is the latest film from Wild Eye releasing. A company that for the past couple of years has had a pretty good eye (no pun intended) for releasing quality genre films. They continue the success with releasing this gem. Within the first two minutes a gal already has her top removed and is ready to get down... what happens? Oh boy, she hears a noise and asks her boyfriend to investigate. He responds "Are you serious" "Yes or no sex", then he says "fine, but you better be ready when I get back". "Get back" oh boy I love this shit. I'm watching a modern day 80's horror film.

He is then killed within the next minute... yes this is pure 80's horror. Then a Lesbian kiss, a few more murders, a chase happens and the John Carpenter 80's style score kicks in. All within the 6 minute mark... then the theme song with the lyrics "Murder University" kicks in... I'm in horror heaven baby.

Movie Review: Christmas with the Dead (2012)

Review by John Beutler

...ah, the cherished traditions of the Christmas season...adorning the tree with all manner of colorful shimmer, sparkle and sash...suspending those goodie-filled stockings over the warming fire heath...neighbors decoratively duking it out, trying to outdo each other in twinkly, animated yard shows...ring-a-ding Xerox copy Santas at the local Food Marts, standing next to hand-me-down Halloween cauldrons, now containing coin jingle, instead of a witch's brew...the presents...the egg nog...the wreath on the door...the outdoors Christmas lights..."...Honey, the outdoors Christmas lights; when are you gonna put them up??"..."...Oh man, do I HAVE to, dear?? Can't it wait until tomorrow?? I just wanna lie here, and...and...and, hey...what's with the flashing lights outside?? Those colorful fireworks in the sky??...

Movie Review: Zombie Massacre (2012, Extreme Video/Entertainment One)

...(...OK, movie time, movie time...Let's see...What'll it be, what'll it be...Da-ta-dee ta-dee, ta-da-ta-dee ta-dee...Ah, yes...What do we have next, on the pile...Hmmm...What's this?? "Zombie Massacre?" Presented by...by...wha...NOOOOOOO!!! Huff...huff...pant...huff...Now, wait a second...Take a deep breath... Breeeethe...Breeeethe...Breathe in...There, that's it...Now, breathe out...That's it...See, you can do it...You can get through it...After all, it's...it's only a Uwe Boll movie...)...

...sigh...alright, all levity aside, let's start off by getting the usual Uwe Boll issue out of the way, right here and now. Yes, the dude has garnished a notorious and infamous reputation for having written, produced and directed what has been indelibly striken and monikered as truly terrible schlock. Yes, there has been quite an air of mystery, regarding not only how he manages to find financing for all of his films, but also, how he manages to attract notable star talent, like Jason Statham, Ben Kingsley and Michael Madsen. Yes, as such, Uwe Boll has suffered the M. Night Shyamalan stigma of being lambasted and heavily criticized, no matter what production he attaches his name to. However, given that this viewer unfailingly keeps an open mind on just about everything set before him, and as such, tries ever so much to take each movie on it's own individual merit...well, this viewer tends to dive right in, all the while, holding his nose, so to speak...

Movie Review: Santa Claws (1996)

It’s Day 4 in the David Hayes 12 Days of Christmas Crap Review-a-Palooza and I think I’ve really hurt myself this time. Oh the humanity!

On the fourth day of Christmas, the Head Cheese gave to me… four migraine headaches (on top of one another).

What in the hell happened to John Russo? I mean, this guy was a legend. Screenwriter for Night of the Living Dead, novelist and screenwriter for Return of the Living Dead, The Booby Hatch… even shlock like The Majorettes is fun, but something happened. I think it was the 1990 remake of NOTLD (directed by Tom Savini). I think that broke John Russo like a twig. In all fairness, it broke most everyone that watched it like a twig.

It must get tough for John around the holidays, you know? People are happy and sharing good will. John tries to keep up, a smile plastered across his face, until he gets home. He probably sits in the dark, alone, trying not to think about the huge budgets and fanbase that George Romero has… for co-writing the same movie that launched an international, high-paying career as a director. John tries not to dwell on the holiday feast that George is sharing with the large and loving Romero family while he is bending back the top of a cat food can. But then inspiration can hit! After all, it’s 1996 and he knows someone with a video camera (that someone being long-time collaborator Bill Hinzman who most people know as the first zombie in NOTLD… from 1968). John knows the holidays are upon them and everyone loves a Christmas-themed horror movie. Turning to an ancient typewriter, John feels the burn of creation once more as he single-finger taps out the title of his newest epic, the one to launch him so far beyond George Romero that Georgie’s going to have to get double Coke-bottle lenses to see John now. Click, click, click and the world is changed forever. Well, at least my world.  John Russo just typed Santa Claws.

My Best & Worst of 2013

By: Rob Sibley

2013 has been a surprisingly good year for horror & cult films in general. Tis the season so I decided to put together a list of my top ten favorite films of the year. Also included is a list of films I felt didn't live up to the expectations I had for them.

2013 compared to 2012 was night and day. Last year I had to struggle to think up any decent horror flicks. For a recap of my list last and year and all my fellow CHC buddies listen to the hilarious http://cinemaheadcheese.blogspot.com/2012/12/cinema-head-cheese-podcast-77-best-of.html

This is a year that I am proud to be a horror fan and a genre fan in general.

THIS VALENTINE'S DAY, WARM YOURSELF UP WITH NIKKATSU!

SEX HUNTER: 1980

AND

NURSE GIRL DORM: STICKY FINGERS

SEX HUNTER: 1980

impulse Pictures continues its assault on your sensations with two new Nikkatsu releases!

Miki, a young and talented ballet dancer, is accepted into an exclusive, and very private, academy run by a mysterious woman.  Miki wants to further her dance education and rekindle her relationship with her boyfriend, but soon discovers all the horrible perversions forced upon the academy students. She is subjected to constant violent sexual acts and torture and realizes there may be no escape!  With similar tones to Italian horror maestro Dario Argento’s masterwork SUSPIRIA, SEX HUNTER: 1980 is one of the more controversial entries in the Nikkatsu Erotic Films Collection.  The depictions of disturbing sexual violence so concerned Nikkatsu studios, they actually warned director Toshiharu Ikeda to tone things down for his next film!

Cinema Head Cheese: The Podcast! #125 - Shia LaDouche

Kevin and Jeff talk about Shia LaBeouf's plagiarism of Daniel Clowes. Kevin shares his thoughts on Desolation of Smaug and wonders why Benedict Cumberbatch is such a big deal. Jeff reviews Nightmare City, and that leads into discussion cannibal movies, John Carradine and Christopher Lee's musical career.

Click here to listen or right click and choose "Save Link As..." to download.

You can always email us at cinemaheadcheese@yahoo.com or tweet us @CinHeadCheese.

Support Cinema Head Cheese and Abnormal Entertainment by clicking the links on our Sponsors page!

Movie Review: Jail Bait (2014, DVD)

Review By: Rob Sibley

 This is what I'm talking about, this film easily makes it onto my best of list for 2013. I know you are going to see the "Asylum" name and just assume, "Okay, they ripped off Orange Is the New Black". Not the case here, Jailbait is based on a graphic novel and has nothing to do with "Orange". Which was a highly overrated TV show for an audience who wasn't familiar with women in prison flicks.

Jared Cohn directed this, an Asylum regular director of 12/12/12/, Hold Your Breath and Atlantic Rim to name a few. The film stars an up and coming actress Sara Malakul Lane, who is building up an impressive resume of performances. She got her start in the underrated Seagal film shot in Thailand "Belly of the Beast". She also was the star of 12/12/12 in which she gave a solid performance despite all the craziness that so-rounded her.

Movie Review: "The First Time/Oriental Babysitter" (1978/77, Essex/Vinegar Syndrome)

...whoever it once was that said, in the far and away-back, 'music soothes the savage beast', clearly did not foresee it's arousing effects and application, in the varied and widely eclectic genre of blue movies. Given a specific sex scene, from a specific film, from the countless number of films produced since the inception of the genre, the type of music attached to the scene, clearly has the ability to set, manipulate and change the tone, the attitude, the emotional fervor...even the level of arousal, depending upon the viewer (...what was it, someone else said, at one time?? 'Different strokes for different folks'??). As with most films, the music...pieces strategically placed in concert with each other...often times has the power to ratchet up the potency of certain scenes...even the whole film, itself...to a most erotically appreciative pinnacle. And this is what stands out, foremost creatively, in Vinegar Syndrome's latest 'drive-in' two-fer...two delectable and ironically deceptive-titled films from the golden age of '70's X-rated movie fold...from the auteur production studio of Essex, and the deftly welded direction of Anthony Spinelli (...under the alternate nom-de-plum, Leonard Burke), it's 1978's "The First Time", and 1977's "Oriental Babysitter"...

...we open up with Sue (Mimi Margan), who is engaged in a steamy sex scene, and appearingly, very good at what she does; to the amazement of her handsome co-star...as well as Jake (Jack Wright), a lawyer, who's house is being used for the porno shoot...who catches her in between takes, this was her very first outing, in front of the camera. Thinking back onto how she got where she presently is, Sue recalls being coerced into doing X-rated films by her ex-boyfriend, Jan (Joey Silvera), an unmotivated self-serving slacker, who becomes enraged...even roughly taking it out on Sue, sexually...when it is suggested that he find a job, to help support their household...